http://95.216.75.113:8080/xmlui/handle/123456789/6 Seventh International Media Art Histories Conference in Krems, Göttweig and Vienna, AT 2026-04-07T13:56:09Z http://95.216.75.113:8080/xmlui/handle/123456789/209 The Ephemerality of Digital Monuments: Swedish Public Art at the Turn of the Millennium, the case of Tidsdokumentet Orrghen, Anna http://95.216.75.113:8080/xmlui/handle/123456789/208 “Westerners (and even many Japanese) hardly know what to make of actor prints”: An empirical study on the aesthetic experience of Japanese and Austrian students Brinkmann, Hanna http://95.216.75.113:8080/xmlui/handle/123456789/207 Establishing Established: Reversed Remediation in Broersen and Lukács’ ‘Establishing Eden’ Korsten, Saskia Isabella Maria Artists Persijn Broersen and Margit Lukács, reveal the way the New Zealand landscape is appropriated by Hollywood movies such as ‘The Lord of the Rings’ and ‘The Hobbit.’ In Establishing Eden (2016), the viewer becomes trapped in a perpetual establishing shot through a collage of two-dimensional photographic clips. Eventually, it displays the naked structure of how Establishing Eden is constructed from flat database images taken from the ‘library’ of a digital video editing program. Whilst some of the scenery images maintain a coherent illusion of an unspoiled landscape by using the structure of a tracking shot, the flipping image clips reveal a two-dimensional diorama. Therefore, looking at Establishing Eden with this oscillation in mind, the film seems to produce what Ruskin might mean with his “third way” of treating a surface. The depth of its conventional structure shines through the exposed flatness of the image. In this paper, I relate Broersen and Lukács’ work to my notion of reversed remediation in which hypermediacy generates an oscillation space between what Bolter and Grusin call remediation and reversed remediation. http://95.216.75.113:8080/xmlui/handle/123456789/188 Uncanny Realm – The Extension of The Natural Beloff, Laura Taking the uncanny valley concept by M. Mori (Mori 1970) as a starting point, the paper will investigate how this concept fits into experiments that are intertwining biological and technological matter. The uncanny valley idea was developed by Mori in relation to robots and their resemblance to humans. It is a concept that is strongly connected to our perception of truth and to the moment when we are confronted with a question to judge if something is ‘real’. In the paper the uncanny valley concept is extended to experiments in the arts and the sciences that address intertwining of biology, nature, technology, and which disarrange our traditional understanding of natural, artificial and real. Published in 2017 within:Beloff, L. (2017). Uncanny Realm - The Extension of The Natural. In J. J. Arango, A. Bubarno, F. C. Londono, & G. M. Mejia (Eds.), ISEA - Proceedings of the 23rd International Symposium on Electronic Arts - BIO-CREATION AND PEACE (pp. 780–783). Manizales: Department of Visual Design, Universidad de Caldas, and ISEA International. 2017-06-01T00:00:00Z