| dc.date.accessioned | 2019-06-25T11:58:57Z | |
| dc.date.available | 2019-06-25T11:58:57Z | |
| dc.identifier.uri | http://95.216.75.113:8080/xmlui/handle/123456789/244 | |
| dc.description | This is part of a broader research looking at the aesthetic legacies of biology in the 20th century carried out at the Department of Art History, University of Oxford as part of my post-doctoral involvement with research on art, science and technology. | |
| dc.language.iso | en | |
| dc.type | Book chapter | |
| dc.title | ‘Complexity-Uncanny’: Concepts and Methods in 20th century art | |
| dc.contributor.author | Kaniari, Assimina | |
| dc.description.abstract | D'Arcy Thompson's 1917 On Growth and Form has had an unprecedented impact on modernism and the production of modernist discourses on form. The reception of Thompson's work in the context of the history of science, art and architecture is discussed in this extract. | |
| dc.subject | complexity, D'Arcy Thompson, history of architecture, history of art, history of science and biology | |
