Browsing by Title
Now showing items 114-133 of 438
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Digital computer art: A view from art history into the early beginnings
(2005-10)In 1965 Max Bense published the 'Aesthetica'. Referring to David Birkoff's mathematical aesthetics, Claude Shannons Information theory and Norbert Wieners Cybernetics, Bense developed a new aesthetic based on strict science. ... -
Digital Kinesthesia: Kinesthetic modes of media aesthetics in digital art
By the example of 15 interactive, responsive, immersive, augmented, and dynamic digital art installations which have been produced in the course of the transdisciplinary, arts-based research project „Digital Synesthesia“ ... -
The Digitized Assets of the Graphic Collection of the Göttweig Abbey
(Danube Universtiy Krems / Department for Image Science, 2012)The dataset catalogs the digitized material and image assets, which are an outcome of a cooperative project for the digital development and indexing of the Graphic Print Collection Göttweig, between the Göttweig Abbey ... -
Early Video Art as Private Performance
The adoption of video by artists responded to the affordance of immediacy and portability for the making of a motion picture recording. In the early 1970s in England, the potential of this facility was as novel as it was ... -
Earth Pulse: vibrational data as artistic inspiration
The use of scientific data to create artworks has always played an important part in the arts, and music has been no exception. The impact of developments such as electricity, the phonograph, the cassette recorder and the ... -
Ecological intimacy and unmanned photography: drones, GoPros, and satellites
2017 marks the 50th anniversary of the first complete colour photograph of the Earth. The American ATS-III weather satellite was tasked with transmitting images for weather forecasters to look for extreme events and learn ... -
Ectogenesis and Mother as Machine
(2005-10)The paper addresses the often neglected nexus between mother and machine, through the histories of the ideas of "ectogenesis" and "cybernetic organism". A discussion of Smith-Windsor's maternal experience as a cyborg-mother ... -
Edmund Carpenter’s Experiments across Visual Anthropology and Critical Media Pedagogies
This presentation explores the neglected contributions of the unorthodox cultural anthropologist Edmund Carpenter (19222011) to crossdisciplinary media and communication studies. Carpenter worked in CBC radio, film, ... -
Electronic Disturbance Theater, Floating Point Unit, Fakeshop
This paper looks at several collectives of artists and hacktivists who, during the early 1990’s in New York City, used new media and web-based technologies to built strategies of critique and resistance to the digital ... -
Electronic Oscillography in Early 1950s Experimental Film
The proposed paper focuses on the historical genealogies of contemporary electronic imaging, particularly on the appropriated use of a specific electro-engineering technique within early 1950s experimental film making. ... -
End Time: Apocalyptic Systems in Media Art and Design
In contemporary art, design, and architecture, generative, recombinatory or autopoetic aesthetics often come not from a space of openended possibility, but of hope against specific perceived crises or catastrophes. In ... -
Entendre la guerre, éprouver le temps : l’expérience sonore dans Starry Night (2006) de Mazen Kerbaj
Lors d’une conférence prononcée à Montréal (FTA, 2014), les artistes Rabih Mroué et Lina Saneh ont témoigné du désenchantement lié à l’impossibilité de se projeter dans le futur au cours de la guerre civile libanaise ... -
Erewhon: framing media utopia in the antipodes
Erewhon is a geographical location, a novel, and a fragment of our technological imaginary. Described by Samuel Butler as somewhere between nowhere and elsewhere, Erewhon provides a framework for understanding antipodean ... -
Establishing Established: Reversed Remediation in Broersen and Lukács’ ‘Establishing Eden’
Artists Persijn Broersen and Margit Lukács, reveal the way the New Zealand landscape is appropriated by Hollywood movies such as ‘The Lord of the Rings’ and ‘The Hobbit.’ In Establishing Eden (2016), the viewer becomes ... -
Ethico-onto-epistemologies of Media Art: A case study of the “Protocol for Interdisciplinary Research” project
As all steps of Art’s value chain get transformed by the ever-challenging practices of Media Arts and other forms as Art and Science intersections, and while agents and Institutions are adapting to the on-going transformation ... -
Exchanging Information: metaphors of computation in neuroscience, genetics and new media art
(Museum of Contemporary Arts, Sydney, Australia, 2006)This paper argues that a common element of language exists between art and science. However, this element does not assist transparent communication between the two fields, as it is primarily metaphor that is the shared ... -
Executable Cinema: demos, screensavers and videogames as audiovisual formats
The digitisation of the multilayered cinematographic apparatus turns the cinematographic image into an extension of the projecting system, making the movie impossible to be separated from the rendering mechanism in both ... -
Exhibition as Lab. Erkki Kurenniemi in 2048, Documenta 13
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ...