Now showing items 238-257 of 438

    • Media Art in Pakistan - Not just another "in your face" advertisement campaign! 

      Malik, Atteqa (2005-10)
      In the last few years Pakistani city dwellers have witnessed a series of audio visual explosions. Along with towering billboards obstructing the city skyline and distracting mobile phones that ring in public spaces, a ...
    • 'Media Art Net': Database and Context 

      Frieling, Rudolf
      "Media Art Net": Database and Context "Media Art Net" aims at mediating and contextualizing media art online, a project edited by Rudolf Frieling and Dieter Daniels and commissioned by ZKM (Center for Art and Media), ...
    • Media Art Sciences & Feminist Theories: New Alliances? 

      Paul, Barbara (2005-10)
      The old and odd discussion concerning High Art versus Low Culture might be still alive in mainstream art history as well as in an advanced media art history and/or media art sciences. I do not want to force this issue ...
    • Media Art: Hybridization and Autonomy 

      Couchot, Edmond (2005-10)
      In order to replace Media Art in its intercultural and historical context, the author attempts to define what characterizes it, beyond the sometimes great differences of its expressions. And what characterizes it is ...
    • Media Art: Trans-perception, Trans-representation, Trans-Consciousness 

      Balanescu, Aura
      The first steps in bringing together senses as: visual, auditive, tactile, kinaesthesia, were carried out simultaneously with the historical Avantgarde in an attempt to cleave the structure of the classical artwork by the ...
    • Media Arts and Media Archaeology - Collision or Convergence 

      Huhtamo, Erkki
      The defining characteristic of the media arts is often considered to be their occupation with the most recent technologies. Purporting to uncover their unused potential, media artists push their boundaries, scrutinizing ...
    • Media Scape as an example of curating practice in new media art 

      Protić, Dijana
      I will analyse early curating practices of new media, as well as relationship between artistic and scientific research practice on example of Media Scape. It was an international meeting of media artists which took place ...
    • MediaArtHistories: Times & Landscapes (Introduction to the Session) 

      Grau, Oliver
      After photography, film, video, and the little known media art history of the 1960s-80s, today media artists are active in a wide range of digital areas (including interactive, genetic, telematic and nanoart). Media Art ...
    • MediaArtHistories: Times & Landscapes 1 (Q&A session) 

      Carpo, Mario; Grau, Oliver; Nadarajan, Gunalan
      The panel consisted of the following presentations: • ‘Islamic Automation: A reading of al-Jazari’s The Book of Knowledge of Ingenious Mechanical Devices (1206)’ by Gunalan Nadarajan; • ‘REMEMBER THE PHANTASMAGORIA! ...
    • MediaArtHistories: Times and Landscapes 2 (Introduction to the Session) 

      Shanken, Edward
      Although there has been important scholarship on intersections between art and technology, there is no comprehensive technological history of art (as there are feminist and Marxist histories of art, for example.) Canonical ...
    • MediaArtHistories: Times and Landscapes 2 (Q&A session) 

      Fernandez, Maria; Lacerte, Sylvie; Collins Goodyear, Anne; Seck Langill, Caroline; Shanken, Edward; Rosen, Margit; Fritz, Darko; Grant, Taylor; Gere, Charly
      The panel consisted of the following presentations: • ‘Towards a Comprehensive Technological History of Art’ by Edward Shanken; • ‘Early British Computer Art: the Findings of the CACHe Project’ by Charly Gere; • ‘How ...
    • Mediascapes in ‘Cities on the Move in Bangkok’ (1999) 

      Trakulyingcharoen, Kanokwan
      The paper focuses on the cultural and social exchange amongst Asian and European architects, artists, filmmakers and designers happening in the multi-media exhibition "Cities on the Move 6 – Bangkok (1999)." The analysis ...
    • Mediating Resistance: Indian New Media Art 

      Acharya, Chandrika
      In India, the steady globalization during 1990s, affected landmark shifts in our everyday experiences. Machines like the personal computer or the video recorder, were unpacking exciting intersections between the human and ...
    • Methodologies (Introduction to the Session) 

      Hansen, Mark; Huhtamo, Erkki
      This session tries to give a critical overview of which methods art history has been using during the past to approach media art. Papers regarding media archaeological, anthropological, narrative and observer oriented ...
    • Methodologies (Q&A session) 

      Hansen, Mark; Huhtamo, Erkki; Broeckmann, Andreas
      The panel consisted of the following presentations: • ‘Between Media and Art, or Media Art with and against Art History’ by Mark Hansen; • ‘Media Arts and Media Archaeology – Collision or Convergence’ by Erkki Huhtamo; ...
    • Monument as Archive: artistic strategies from anti- to meta-memorial 

      Kluszczynski, Ryszard W.
      In Kluszczynski's talk, he will address the issue of art that challenges colonization of social consciousness and collective memory. He will focus on selected works of Krzysztof Wodiczko, Sanja Iveković, and Masaki Fujihata ...
    • Morphogenesis in action. D’Arcy Thompson, L.L. Whyte and the experimental in Leonardo 1960-2007 

      Kaniari, Assimina (2007-11)
      In 1951 LL Whyte edited the proceedings of the symposium Aspects of Form which accompanied the ICA exhibition On Growth and Form curated by Richard Hamilton. Whyte advocated a ‘structural’ vision of nature and art and such ...
    • Multimedia artists and fieldwork (1960-80s) 

      Martinovic, Jelena
      The coming together of human engineering, experimental psychology, ethnography, communication and learning theory in the work of two artists, the Chilean Juan Downey and the American Paul Ryan (1960­80s), serve as a departing ...
    • Museums of the Unfinished to Ephemeral Memories: notes on net art conservation 

      Beiguelman, Giselle
      This paper discusses the conservation of net art works. It describes the overdose situation of documentary production fostered by social networks and its impact on the traditional forms of storage and the contemporary ...
    • Music: The First Digital Art 

      Kahn, Douglas
      The early period of computers arts, from the mainframes of the 1950s through the first microcomputers during the late-1970s, has been understood as a period of attempts and possibilities rather than achievements. The ...