Browsing by Title
Now showing items 246-265 of 438
-
MediaArtHistories: Times & Landscapes 1 (Q&A session)
The panel consisted of the following presentations: • ‘Islamic Automation: A reading of al-Jazari’s The Book of Knowledge of Ingenious Mechanical Devices (1206)’ by Gunalan Nadarajan; • ‘REMEMBER THE PHANTASMAGORIA! ... -
MediaArtHistories: Times and Landscapes 2 (Introduction to the Session)
Although there has been important scholarship on intersections between art and technology, there is no comprehensive technological history of art (as there are feminist and Marxist histories of art, for example.) Canonical ... -
MediaArtHistories: Times and Landscapes 2 (Q&A session)
The panel consisted of the following presentations: • ‘Towards a Comprehensive Technological History of Art’ by Edward Shanken; • ‘Early British Computer Art: the Findings of the CACHe Project’ by Charly Gere; • ‘How ... -
Mediascapes in ‘Cities on the Move in Bangkok’ (1999)
The paper focuses on the cultural and social exchange amongst Asian and European architects, artists, filmmakers and designers happening in the multi-media exhibition "Cities on the Move 6 – Bangkok (1999)." The analysis ... -
Mediating Resistance: Indian New Media Art
In India, the steady globalization during 1990s, affected landmark shifts in our everyday experiences. Machines like the personal computer or the video recorder, were unpacking exciting intersections between the human and ... -
Methodologies (Introduction to the Session)
This session tries to give a critical overview of which methods art history has been using during the past to approach media art. Papers regarding media archaeological, anthropological, narrative and observer oriented ... -
Methodologies (Q&A session)
The panel consisted of the following presentations: • ‘Between Media and Art, or Media Art with and against Art History’ by Mark Hansen; • ‘Media Arts and Media Archaeology – Collision or Convergence’ by Erkki Huhtamo; ... -
Monument as Archive: artistic strategies from anti- to meta-memorial
In Kluszczynski's talk, he will address the issue of art that challenges colonization of social consciousness and collective memory. He will focus on selected works of Krzysztof Wodiczko, Sanja Iveković, and Masaki Fujihata ... -
Morphogenesis in action. D’Arcy Thompson, L.L. Whyte and the experimental in Leonardo 1960-2007
(2007-11)In 1951 LL Whyte edited the proceedings of the symposium Aspects of Form which accompanied the ICA exhibition On Growth and Form curated by Richard Hamilton. Whyte advocated a ‘structural’ vision of nature and art and such ... -
Multimedia artists and fieldwork (1960-80s)
The coming together of human engineering, experimental psychology, ethnography, communication and learning theory in the work of two artists, the Chilean Juan Downey and the American Paul Ryan (196080s), serve as a departing ... -
Museums of the Unfinished to Ephemeral Memories: notes on net art conservation
This paper discusses the conservation of net art works. It describes the overdose situation of documentary production fostered by social networks and its impact on the traditional forms of storage and the contemporary ... -
Music: The First Digital Art
The early period of computers arts, from the mainframes of the 1950s through the first microcomputers during the late-1970s, has been understood as a period of attempts and possibilities rather than achievements. The ... -
Nanoart: First Steps Beyond the Columns of Hercules
As in the last century, with all the “-isms” and other nouns and adjectives with which various artistic movements were described, both contemporaneously by the participants, and later by historians and critics, the term ... -
Nation as a Mode of Consumption
(Scottish Church College, Kolkata, 2006-09)Modernity is manifested and perceived in various ways, though contested in their meanings, in everyday life. Expansion of consumer culture is integral to the process of modernity in a typically defined location in the ... -
Network Forums and Trading Zones: How Two Experimental, Collaborative Art and Engineering Subcultures Spawned the “9 Evenings: Theatre and Engineering” and E.A.T.
(2007-11)The historic meeting of electrical engineer Billy Kluver and painter Robert Rauschenberg at the Museum of Modern Art in 1960 symbolizes a larger technocultural convergence of the worlds of research-based applied sciences ... -
Network Forums and Trading Zones: How Two Experimental, Collaborative Art and Engineering Subcultures Spawned the “9 Evenings: Theatre and Engineering” and E.A.T.
(2007-11)The historic meeting of electrical engineer Billy Kluver and painter Robert Rauschenberg at the Museum of Modern Art in 1960 symbolizes a larger technocultural convergence of the worlds of research-based applied sciences ... -
New media art in Lithuania
(Culture, Philosophy and Arts Research Institute, 2007)This article strives to illustrate the main trends of Lithuanian digital art, to name the relevant artists and activists, and to distinguish applicable creative strategies as well as the most significant features of the ... -
New Media Curating: Sound as a Technological Medium
The paper presents the interdisciplinary intersections and impacts in between new media art and sound practices. Through the exploration of the formation and rise of interdisciplinary research fields, the paper presents ... -
New Media in an Adhocracy
(2005-10)In previous studies, I sketched a three-part typology of modern studio-laboratories as institutions committed to research and creation in new media. In this paper I extend and problematize the three-part categorization by ... -
Notebooks, raw film reels and ephemera as Research-creation (Process)
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ...