Browsing by Title
Now showing items 286-305 of 438
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Post-Guten(morgen)berg: Soundings for a North/South Atlas of Art and New Media Histories
A look at some of the ideas, concepts and theoretical models Rudolf Arnheim took up over the years to probe ongoing and emerging domains of visual experience, processes and technologies. Can his conceptual kit — made up ... -
Postdigital Pasts
As David Berry and Michael Dieter (2012) have described, postdigital refers not to life-after-digital but rather the ways in which computation has become ‘experiential, spatial and materialized; embedded and embodied’, ... -
Postimage: On the Future Evolution of the Image and its Theory
This paper is part of a research project that addresses the future evolution of the image taking into account the increasing accuracy and autonomy of computer and machine vision. Taking the case of so-called mixed swarm ... -
postvinyl
The history of audio-records, record players and DJs had its ups and downs during the last 6 decades. Vinyl records had their first appearances in the 1940ies, seemed to have gone in the 80ies and reappeared gloriously in ... -
Practices and Languages of Art
Recognition of artistic practices as academic research continues to provoke much debate. In exchange for their validation, higher education institutions demand the clear articulation of artistic research questions ... -
Practices: Curating as Research (Q&A session)
The panel consisted of the following presentations: • ‘Virtual Volumes and Electric Choreographies Kinetic and Light Art in the David Bermant Collection’ by Christiane Paul; • ‘Sound Citizen: Curating Sound Art in Public ... -
Practices: Histories of the Studio Lab (Q&A session)
The panel consisted of the following presentations: • ‘Fallout and Spinoffs: Commercializing the Art-Technology Movement’ by W. Patrick McCray; • ‘Jozef Stanislaus Ostoja-Kotkowski, an Australian artist between Art, ... -
Préservation et archéologie des média: importance de la rétro ingénierie dans la reconstruction archéologique d'œuvres d'art à composante technologique
La reconstruction d'œuvres d'art à composante technologique au plus bas niveau des matérialités représente les mêmes défis et controverses que la reconstruction de restes archéologiques ou de monuments historiques. Il ... -
Projection Studies
This paper aims at contrasting the traditional field of “screen and film studies” with an investigative approach inspired by practices of projection, more attentive to the heterogeneous character of media technology, and ... -
Projection: Vanishing and Becoming
(2005-10)In Pliny's account of the origins of painting, projected light is the medium traced by the maid of Corinth. In Leroi-Gourhan's account's of palaeolithic art, projection plays a key role in the definition of hands as ... -
Projects in Visualizing Data 1992-2017
The translation of multivariate abstract data into visualization first requires a process of classification which is inherently culturally defined, given that systems of classification tend to be shaped by discipline-specific ... -
Prolegomena for a Transdisciplinary Investigation Into the Materialities of Soft Systems
(Universidad de Caldas, 2017-06)This paper presents exploratory research on the materiality, aesthetics and ecological potential of soft robots. Within the still emergent paradigm of soft robotics research, bio-inspiration is often hailed as being of ... -
Psychedelic Circuitry 1880–1980. Signals between Esotericism, New Religions, Engineering and Art – Their Potentials of Positive Diffraction Today
Technologies based on electricity have since a long time been the source for creative, imaginative and esoteric cultures. A first part will discuss critically some examples of interesting interferences between psychic, ... -
Pulse Project: Listening Across Disciplines and Cultures
This paper introduces Pulse Project (2011-2017), a performance research series exploring an ecology of complex relations between art, humanities, medicine, technology and culture. In this series, I embody transdisciplinary ... -
Re-appropriating the messiness of things: a more-than-human approach to curating in art and science
Despite being in full sight, many cabinets and showcases at universities and scientific institutions lie empty or underutilized. Located at the entrance of science departments, in proximity of laboratories, or in busy areas ... -
Re-enacting early video art as a research tool for media art histories
This paper will discuss re-enactment as a relevant tool for practice-based research to investigate pioneering video performances and video artworks from the 70s and 80s from a theoretical, art-historical and curatorial ... -
Re-Habilitating Bacteria
Within the oscillation of art based research and research based art, bacteria today increasingly appear as a transhistorical trope of 1) how aesthetic strategies, knowledge production and the construction of metaphors ... -
Re-Making the Critical University: Media Labs, Making, and Critical Practice (Q&A session)
‘Critical Making’ understood as hybrid conceptual/material practices supported by humanistic theories and assumptions are increasingly en vogue. Increasingly, humanities faculties in North America are developing programs ... -
Re-Tracing Aesthetic Strategies in Times of Electronic Waste
This paper starts with the assumption that we live in “Times of Waste”. Waste is haunting us, in waste we had to dwell, with waste we had to live, not against it. There is never nothing at the start, just as something is ... -
Re-Tracing Methods: Rethinking Media Art Histories and Relations Between the North and the Global South
This paper examines the work of Mexican artist Marcela Armas, and the Colombian artistic duo Martinez-Zea (Camilo Martinez and Gabriel Zea). Although different at the aesthetic and conceptual level, the works of these ...