Browsing by Title
Now showing items 306-325 of 438
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RE-writing the History of Media Art: How Hypermedia Change our Vision of the Past (The Case of Artistic Collaboration)
When we discuss the issue of the collaborative practices in the context of the avant-garde art we have, first of all to say that the avant-garde has been always considered a phenomenon based on the idea of the artistic ... -
RE:COPYing-IT-RIGHT AGAIN
RE:COPYing-IT-RIGHT AGAIN addresses art-science-technology connections in Media Art from Chicago during the late 1960’s and early 1970’s. Artists, including Phil Morton (founder of the Video Area at The School of the Art ... -
Recalling Renegade Library and other Social Practice Methodologies from the late 1990s
Shuffling through the pseudobureaucratic residue from the 1998 exhibition, Renegade Library: An Exhibition of Collaborative Mail Art in Book Form (Art Gallery of Southwestern Manitoba), it appears that what was once ... -
Recherchecréation dans les écoles d’art et institutions françaises
Depuis la création des départements d'arts plastiques dans les universités françaises voici quarante ans, la figure de l'artistechercheur ou du chercheurartiste est restée problématique. Au sein des cadres institutionnels ... -
Reflections of contemporary society in media art: The visitor as a leading actor in artworks
This paper will focus on research into a newly evolving field in interactive media art within the genre of portrait: the visitors-portrait. For this, we can use already-established art historic methods, visual perception ... -
Regard transversal sur des pratiques inter- et trans
«The problems in the world are not withindiscipline problems» soutient Sharon Derry rejoignant toute une série de démarches qui tentent d’articuler diverses approches scientifiques entre elles et de relier art et science ... -
Rejuvenate: Film, Sound and Music in Media Arts History (Q&A session)
The panel consisted of the following presentations: • ‘Music: The First Digital Art’ by Douglas Kahn; • ‘Projection: Vanishing and Becoming’ by Sean Cubitt; • ‘Hollis Frampton’s Algorithmic Aesthetic’ by Keith Sanborn. -
Rekall - An open-source environment to document, analyze and simplify the restaging of time based media artworks.
With the emergence of huge digitalized datasets and digital corpora, we now frequently come across very large amounts of data, challenging existing research methodologies and expectations - especially as regards to the ... -
Relationship of art and technology: Edward Ihnatowicz’s philosophical investigation on the problem of perception
At the earliest stage of computer’s history more and more scientists as well as artists were vividly interested in the usage of advanced technology which was available that time. I would like to show that Ihnatowicz’s ... -
Relive the Virtual: An Analysis of Unplugged Performance-Installations
Can retro media make us relive the virtual from digital media? Following McLuhan’s thesis that the proper characteristics of a medium are revealed through remediation, it could well be that retro media re-enacting digital ... -
REMEMBER THE PHANTASMAGORIA! Virtual Art of the 19th century and its future
Virtual Art of the 19th century and its future The medium Phantasmagoria, developed from the Laterna Magica and part of the history of immersion, opened up the virtual depth of the image space for the first time as a ... -
Restored behavior: Performing Materiality
This paper reflects on the oeuvre of the Uruguayan media artist Brian Mackern and the Mexican performance practitioner Mónica Mayer as means to explore theoretical and practical challenges involved in the presentation, ... -
Rethinking Affordance
Responding to the continued, accelerating rise of algorithmic culture, this presentation re-conceptualizes the concept of ‘affordance’ for the digital age, with a focus on theorizing artistic, practice-based interventions. ... -
Return of operativity: Prolegomena to a grand narrative of media in deep time
When in recent decades extended temporal scales have entered media history, including MediaArtHistories, this has mostly implied the subversion of temporal coherence and evolutionary logic (cp. Huhtamo’s, Ernst’s and others’ ... -
Revolution of the Ear?
(Verlag der Buchhandlung Walther König, 2005)How do acoustic dealings with machines change people’s conception of themselves? This essay presents the context of the media shift from image to sound using as an example the poetic theory of Charles Olson and relates ... -
Richard Monkhouse & Peter Donebauer, and Development of the EMS Spectron and the Videokalos Image Processor
This paper discusses the background, origins and development, as well as the functions and operation, of two early British video synthesisers by the artist/engineers who designed and built them: the EMS “Spectron” by Richard ... -
Right before the first boom: The lost stereoscopy of Norman McLaren and the National Film Board of Canada
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ... -
Right before the first boom: The lost stereoscopy of Norman McLaren and the National Film Board of Canada
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ... -
Robot Aesthetics and Cultural Imperialism: the Double Hermeneutic of Computational Photography
This paper attempts to investigate the consequences of the emerging field of Automatic Aesthetic Quality Estimation, where deep neural networks are trained to predict the average ‘aesthetic rating’ of a photo. I first ...