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Now showing items 80-99 of 438
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Corridors of Practice I: Technology and Performance Art on the North American Pacific Coast in the 1970s and Early 80s
(2007-11)In 1969, the Vancouver Art Gallery mounted the first Intermedia exhibition, Electrical Connection, featuring a broad range of works. With their geodesic domes, preoccupation with circuit schematics and "happening" presentation ... -
Creative Encounters and Subaltern Aesthetics in the Early Years of the Indian Space Programme
The paper presents a historiography of satellite television in India, which was set up by the Indian space agency in the 1970s, and traces the involvement of creative practitioners in the conceptual development and ... -
Creative Networks: Frictionless or Regulated?
Musicians remixing each other, programmers hacking together an open code project, and activists organizing grass-roots campaigns depend on easy access to each other's time and labor. While networked creativity usually ... -
Crisis as Critical Practice in the MENA
The awakening civil dissent in the Middle East and North Africa (MENA) in 2010/2011 has been attended by forms of artistic as well as user-generated and cultural strategies that reflect critical dissonant practices in the ... -
Critical mining, Blockchain and Bitcoin in contemporary art
The Bitcoin was originally conceived as an electronic decentralized system for capital transactions. Each node (user) has the same opportunities to get a reward when validating a collection of transactions (block). In the ... -
Cross Culture – Global Art (Introduction to the Plenary Session)
The panels in Cross-Culture--Global Art provide an opportunity to examine cross-cultural influences, the global and the local. New media histories include dramatically different influences and parallels to new media art. ... -
Cross-Culture – Global Art (Q&A session)
The panel consisted of the following presentations: • ‘Cross Culture – Global Art’ by Sara Diamond; • ‘CyberRace Constructs: Transnational Identities in R. Kempadoo’s Ghosting’ by Sheila Petty; • ‘From Cybercolonialism ... -
Cross-Disciplinary Research Methods (Introduction to the Session)
The pressure to become interdisciplinary is very intense—coming from a variety of disciplines and institutions. Ironically, this pressure has been around for a very long time. So, why don’t we just strive for excellence ... -
Cross-Disciplinary Research Methods (Q&A session)
The panel consisted of the following presentations: • ‘Events of Significance’ by Frieder Nake; • ‘Is New Media New?’ by Ron Burnett; • ‘Transculturation and New Media History’ by Dot Tuer; • ‘Grounded Materialities: ... -
Crowd and Art - Kunst und Partizipation im Internet
(transcript, 2017-02)What can be contributed to a networked reality by art resulting from involvement by “others,” and what does this have to do with knowledge or non-knowledge? Working at the nexus of art theory, cultural studies, media studies ... -
Crowd-Sourced Intelligence Agency: Prototyping Counterveillance
This paper discusses how an interactive artwork, the Crowd-Sourced Intelligence Agency (CSIA), can contribute to discussions of Big Data intelligence analytics. The CSIA is a publicly accessible Open Source Intelligence ... -
Cultural Software - Materiality and Abstraction in 60s art and technology
The 1960s saw an explosion of new art genres: happenings, environments, performance art, body art, sitespecific art, minimalism, art+technology, expanded cinema and conceptual art. These practices were often identified ... -
Curating Humanism: Negotiating the Politics of New Media, 1965/2015
On December 15, 1970, Howard Wise announced that he was closing his gallery in New York City. Throughout the 1960s, Wise’s exhibitions had stridently promoted the use of new media technologies in art, including computers (1965) ... -
Curating in the Age of Artistic Ubiquity and of Visulizing Techniques
The present cultural interest and technological effort around the subject of data mining, information retrieval and data and information visualization, not only in scientific fields, but also in common cultural experience ... -
Cybercontemporary art: mutations and digital contagion
Digital technologies are increasingly present and accessible in nowadays. This ubiquity produce a creative and specific research field, influencing the way others artistic production modes operates. Contemporary art, until ... -
CyberRace Constructs: Transnational Identities in R. Kempadoo's Ghosting
In debates concerning the underpinnings of cybertheory, the issue of race has become increasingly contentious. As C. Fusco argues, the "rather euphemistic discourse about the post-human era" has, not surprisingly, ... -
CyberRace Constructs: Transnational Identities in Roshini Kempadoo’s Ghosting
(2005-10)In debates concerning the underpinnings of cybertheory, the issue of race has become increasingly contentious. As C. Fusco argues, the "rather euphemistic discourse about the post-human era" has, not surprisingly, ... -
CyberSM, cybersex and 25 years of VR
2018 will mark the 25th anniversary of cyberSM, a series of media arts projects incorrectly heralded as the first fully-functional cyber-sex systems. These projects made frequent appearances in newspapers, magazines and ... -
CyberSyn and the symbolic (processing) memory of paper
Chile’s CyberSyn project —the cybernetic network aiming to monitor the economy, built in the early 1970s during the government of president Salvador Allende under the scientific direction of the British cybernetician, ...