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DARIAH Connectivity Roundtable. Six Decades of Digital Arts and Museums: A New Infrastructure - Transcript
The panelists celebrated and discussed six decades of the digital arts and museums, and talked about what new infrastructures might be possible. The panel was then opened to audience questions and comments. -
Database of Virtual Art - For an Expanded Concept of Documentation
The Database of Virtual Art documents the rapidly evolving field of digital installation art. This complex, research-oriented overview of immersive, interactive, telematic and genetic art has been developed in cooperation ... -
Database/New Scientific Tools (Introduction to the Session)
Accessing and browsing the immense amount of data produced by individuals, institutions, and archives has become a key question to our information society. In which way can new scientific tools of structuring and visualizing ... -
Database/New Scientific Tools (Q&A session)
The panel consisted of the following presentations: • ‘“Media Art Net”: Database and Context’ by Rudolf Frieling; • ‘Database of Virtual Art - For an Expanded Concept of Documentation’ by Christian Berndt; • ‘V2_'s ... -
Datafying Media Art. Assessing Digital Methods for Media Art Research
Where the initial wave of Digital Humanities (DH) concentrated mainly on textual analysis, the contemporary DH witnessed a visual turn. This resulted not only in establishing visuals as subject of digital analysis but also ... -
Death in Paris: How Mathematics Became an Art
(2007-11)In the early decades of the 19th century, the science of mathematics underwent a transformation that has shaped its course to this day. From a field that studies the physical world around us, it became the study of sublime ... -
Democracy and Art at the Venice Biennale. The Legacy of 1968
(2007-11)This paper investigates the way new media art affected the Venice Biennale in the late 60s. In particular it analyses how the developments of technology in art amplified the critical situation the Venice Biennale was facing ... -
Der Akademie
(The Digital Assets of the Graphic Collection of the Göttweig Abbey / www.gssg.at, 1698)Dedicated to Louis XIV, this work by Leclerc (Le Clerc) does not represent one particular academy (despite its title), but rather is a compilation of the activities that took place at two different institutions: the Académie ... -
Design of Narrative Book Collection: Redesigning Pre-Modern Japanese Books in the Digital Age
This paper introduces Narrative Book Collection—a unique model of digital exhibition for pre-modern Japanese books that explores computational and visualization approaches to create a new book reading experience in the ... -
Dialogue: Assimilation: Subversion - Contemporary New Media Native Art in Canada
(2005-10)How is Western technology incorporated in the artistic discourse of non Western cultures? In 1992, BC Native artist Lawrence Paul Yuxweluptun presented a virtual reality installation Inherent Rights, Vision Rights at the ... -
Digging the (new) media art scene of İstanbul: Towards Media Art Historical Re-discovery
This study is an attempt to excavate and analyze (new) media art scene of İstanbul in order to explore the particularities in the field and local histories of media art. There is still ambiguity about what (new) media art ... -
Digital Analysis of Structure and Form
(2005-10)The use of digital technologies can allow for an extended and enhanced understanding of art and architecture. The logical and parametric encoding used in data description languages can enable us to characterize relationship ... -
Digital Art History, 56°56’51” N 24°6’23”E
Fortunately Latvia has found a place in Media Art history. This is evidenced by the annual festival Art+Communication held in Riga, the pioneering status of ELAB as the early developers of Net Art, the prix Ars Electronica ... -
Digital Art in Latin America
The emergence of new Media Art in Latin America is an extraordinary heritage but it has been under-represented in the art historical discourse. Pioneer Latin-American artists have neither been recognized nor absorbed in ... -
Digital computer art: A view from art history into the early beginnings
(2005-10)In 1965 Max Bense published the 'Aesthetica'. Referring to David Birkoff's mathematical aesthetics, Claude Shannons Information theory and Norbert Wieners Cybernetics, Bense developed a new aesthetic based on strict science. ... -
Digital Kinesthesia: Kinesthetic modes of media aesthetics in digital art
By the example of 15 interactive, responsive, immersive, augmented, and dynamic digital art installations which have been produced in the course of the transdisciplinary, arts-based research project „Digital Synesthesia“ ... -
The Digitized Assets of the Graphic Collection of the Göttweig Abbey
(Danube Universtiy Krems / Department for Image Science, 2012)The dataset catalogs the digitized material and image assets, which are an outcome of a cooperative project for the digital development and indexing of the Graphic Print Collection Göttweig, between the Göttweig Abbey ... -
Early Video Art as Private Performance
The adoption of video by artists responded to the affordance of immediacy and portability for the making of a motion picture recording. In the early 1970s in England, the potential of this facility was as novel as it was ...