Browsing by Title
Now showing items 184-203 of 438
-
Iambic Tetrameter in the Service of Revolution
(Verlag der Buchhandlung Walther König, 2006-11)Writing in his book „The Mind and Face of Bolshevism“ about the revolutionary poetry in the Soviet Russia at the early 1920ies a famous Austrian sociologist Rene Fueloep-Miller has mentioned one educational institution of ... -
Idiosyncratic Archaeologies: Realigning Media History
There’s little argument that the history of ‘media art’ is not limited to the mere deployment of specific implementations. To formulate media histories as a mere evolution of an apparatus linked with progressive notions ... -
Image Science and ‘Representation’: From a Cognitive Point of View (Q&A session)
The panel consisted of the following presentations: • ‘Picturing Uncertainty: From Representation to Mental Representation’ by Barbara Stafford; • ‘Once upon a time there was a database: Database and narrative from a ... -
Image, Process, Performance, Machine. Aspects of a Machinic Aesthetics
(2005-10)For many centuries, machines have influenced the way we construct, read and understand the world. Such mediated approaches to the world have been further dramatised by digital apparatuses. They abstract the visible as well ... -
Image-material-media - A philo-curatorial interrogation
Considering intersections of materiality, imageness and objecthood in contemporary art , with works of artists like Shilpa Gupta, Raqs Media Collective and others as instances, the paper will look at contemporary new media ... -
Images médicales entre art et science
(De Boeck & Larcier, 2007)This paper is part of a still working in progress, which aims to investigate the interactions between art and scientific images. It introduces artworks from the Brazilian artist Monica Mansur and explores questions such ... -
Immediacy of Image – Image of Immediacy. Live Media Art in Japan between Tradition and Hypermodernity. An historical and contemporary View
In 1970, French philosopher Roland Barthes declared Japan as a model for a kind of system liberated from any (Western) signification-overload, at an important moment in time when art in the West as well as in the East began ... -
Immersion as “Social Machine”- analysing the coupling Human-Machine in the industry of entertainment
(International Society for Presence Research, ISPR, http://www.temple.edu/ispr/ICA2003/Araujo.htm; ICA, www.icahdq.org, 2003-05-23)“Social Machine” is a term that appears in Deleuze and Guattari, Anti-Oedipus, capitalismus and schizophrenia, and in John Canny and Eric Paulos, Tele-embodiment and shattered presence: reconstructing the body for online ... -
Immersion as “Social Machine”- analysing the coupling Human-Machine in the industry of entertainment
(International Society for Presence Research, ISPR, http://www.temple.edu/ispr/ICA2003/Araujo.htm; ICA, www.icahdq.org, 2003-05-23)“Social Machine” is a term that appears in Deleuze and Guattari, Anti-Oedipus, capitalismus and schizophrenia, and in John Canny and Eric Paulos, Tele-embodiment and shattered presence: reconstructing the body for online ... -
Immersive and participative environments
(2005-10)Immersive and participative environments in this text are spaces which use computing systems to promote a state of perceptive illusion and which incite the visitor to participation stimulating and impressing sensory ... -
Indiscipline
Guy Sioui Durand will propose a socio-critical examination of two zones of « indicipline » in artistic practice : social transactions art (or “esthétique relationnelle”) and trans-diciplinary (or trans-media) sound art. ... -
Infolding the Self: From Video Therapy to Video Art
When video art emerged in the late 1960s, video became a boundary object facilitating interaction between artists and scientists, particularly psychotherapists interesting in the effects of watching oneself on tape. Both ... -
Informational space and its architectural interpretation
Contemporary informational and mobile technology allows transmitting vast amounts of data unprecedented until now. This data, information, and technology not only increases connectivity between place and space, but also ... -
Institutionalisation of Media Art in the Post-Soviet Space: The Role of Cultural Policy and Socioeconomic Factors
(2007-11)The proposed paper reviews the process of institutionalisation of Media Art in Post-Soviet countries (primarily Russia, Ukraine and Belarus) in a period from the middle 80s to thepresent. It is focused on forms and principles ... -
Instrumental Anthropocentrism: insects, sustainable culture and technological innovation
Recently, we have been witnessing an intensification of technoscientific research and innovations centered on insects. Insects are genetically modified to fight devastating diseases such as Dengue Fever or Malaria; their ... -
Interactive multimedia creations at the International Museum of Electrographic Artworks in Cuenca (Spain), 1994 – 2006. Pioneer productions for the construction of hypermedia narratives
The purpose of this paper is to provide a theoretical and critical review of some of the pioneering productions of interactive multimedia that were created at the MIDECIANT´s laboratories of the University of Castilla-La ... -
Intercultural Interfaces: Correcting the pro-Western Bias of Media History
(2007-11)Most media histories have been written from a Euro-American perspective: when considered at all, other parts of the world are usually pictured as passive recipients of innovations that have originated in the West, reflecting ... -
Intercultural Interfaces: Correcting the pro-Western Bias of Media History
(2007-11)Most media histories have been written from a Euro-American perspective: when considered at all, other parts of the world are usually pictured as passive recipients of innovations that have originated in the West, reflecting ...