Browsing by Title
Now showing items 300-319 of 438
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Re-appropriating the messiness of things: a more-than-human approach to curating in art and science
Despite being in full sight, many cabinets and showcases at universities and scientific institutions lie empty or underutilized. Located at the entrance of science departments, in proximity of laboratories, or in busy areas ... -
Re-enacting early video art as a research tool for media art histories
This paper will discuss re-enactment as a relevant tool for practice-based research to investigate pioneering video performances and video artworks from the 70s and 80s from a theoretical, art-historical and curatorial ... -
Re-Habilitating Bacteria
Within the oscillation of art based research and research based art, bacteria today increasingly appear as a transhistorical trope of 1) how aesthetic strategies, knowledge production and the construction of metaphors ... -
Re-Making the Critical University: Media Labs, Making, and Critical Practice (Q&A session)
‘Critical Making’ understood as hybrid conceptual/material practices supported by humanistic theories and assumptions are increasingly en vogue. Increasingly, humanities faculties in North America are developing programs ... -
Re-Tracing Aesthetic Strategies in Times of Electronic Waste
This paper starts with the assumption that we live in “Times of Waste”. Waste is haunting us, in waste we had to dwell, with waste we had to live, not against it. There is never nothing at the start, just as something is ... -
Re-Tracing Methods: Rethinking Media Art Histories and Relations Between the North and the Global South
This paper examines the work of Mexican artist Marcela Armas, and the Colombian artistic duo Martinez-Zea (Camilo Martinez and Gabriel Zea). Although different at the aesthetic and conceptual level, the works of these ... -
RE-writing the History of Media Art: How Hypermedia Change our Vision of the Past (The Case of Artistic Collaboration)
When we discuss the issue of the collaborative practices in the context of the avant-garde art we have, first of all to say that the avant-garde has been always considered a phenomenon based on the idea of the artistic ... -
RE:COPYing-IT-RIGHT AGAIN
RE:COPYing-IT-RIGHT AGAIN addresses art-science-technology connections in Media Art from Chicago during the late 1960’s and early 1970’s. Artists, including Phil Morton (founder of the Video Area at The School of the Art ... -
Recalling Renegade Library and other Social Practice Methodologies from the late 1990s
Shuffling through the pseudobureaucratic residue from the 1998 exhibition, Renegade Library: An Exhibition of Collaborative Mail Art in Book Form (Art Gallery of Southwestern Manitoba), it appears that what was once ... -
Recherchecréation dans les écoles d’art et institutions françaises
Depuis la création des départements d'arts plastiques dans les universités françaises voici quarante ans, la figure de l'artistechercheur ou du chercheurartiste est restée problématique. Au sein des cadres institutionnels ... -
Reflections of contemporary society in media art: The visitor as a leading actor in artworks
This paper will focus on research into a newly evolving field in interactive media art within the genre of portrait: the visitors-portrait. For this, we can use already-established art historic methods, visual perception ... -
Regard transversal sur des pratiques inter- et trans
«The problems in the world are not withindiscipline problems» soutient Sharon Derry rejoignant toute une série de démarches qui tentent d’articuler diverses approches scientifiques entre elles et de relier art et science ... -
Rejuvenate: Film, Sound and Music in Media Arts History (Q&A session)
The panel consisted of the following presentations: • ‘Music: The First Digital Art’ by Douglas Kahn; • ‘Projection: Vanishing and Becoming’ by Sean Cubitt; • ‘Hollis Frampton’s Algorithmic Aesthetic’ by Keith Sanborn. -
Rekall - An open-source environment to document, analyze and simplify the restaging of time based media artworks.
With the emergence of huge digitalized datasets and digital corpora, we now frequently come across very large amounts of data, challenging existing research methodologies and expectations - especially as regards to the ... -
Relationship of art and technology: Edward Ihnatowicz’s philosophical investigation on the problem of perception
At the earliest stage of computer’s history more and more scientists as well as artists were vividly interested in the usage of advanced technology which was available that time. I would like to show that Ihnatowicz’s ... -
Relive the Virtual: An Analysis of Unplugged Performance-Installations
Can retro media make us relive the virtual from digital media? Following McLuhan’s thesis that the proper characteristics of a medium are revealed through remediation, it could well be that retro media re-enacting digital ... -
REMEMBER THE PHANTASMAGORIA! Virtual Art of the 19th century and its future
Virtual Art of the 19th century and its future The medium Phantasmagoria, developed from the Laterna Magica and part of the history of immersion, opened up the virtual depth of the image space for the first time as a ... -
Restored behavior: Performing Materiality
This paper reflects on the oeuvre of the Uruguayan media artist Brian Mackern and the Mexican performance practitioner Mónica Mayer as means to explore theoretical and practical challenges involved in the presentation, ... -
Rethinking Affordance
Responding to the continued, accelerating rise of algorithmic culture, this presentation re-conceptualizes the concept of ‘affordance’ for the digital age, with a focus on theorizing artistic, practice-based interventions. ...