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Now showing items 41-60 of 438
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Art as Research / Artists as Inventors (Q&A session)
The panel consisted of the following presentations: • ‘Art as Research/ Artists as Inventors’ by Dieter Daniels; • ‘Richard Monkhouse & Peter Donebauer, and Development of the EMS Spectron and the Videokalos Image ... -
Art on Instagram: Imaginary museums, counter-collections and moving images
This paper addresses the impact of the photographic reproduction of artworks at the museums and sharing of these images on Instagram. Created in 2010, when the museum began to reconsider the prohibitions to use mobile ... -
Art, Science and Technology in Russia: current affairs and ambitions for the future (from institutional and artistic perspective)
Experiments in art, science and technology in the cultural situation of post-Soviet Russia have been remaining relatively marginal area of contemporary art, education and cultural production. There were very few artists, ... -
Art, War, and Cambridge Cybernetics
(2007-11)Cambridge, well known for the creation of the first full-scale operational stored-program computer EDSAC, is also important, but less well known, for the development of Cybernetic theory and the application of cross-disciplinary ... -
Art-Science connections for the visualisation of minerals: historical precedents for media arts
The Making of Rocks: ‘By what furnaces of fire the adamant was melted, and by what wheels of earthquake it was torn, and by what teeth of glacier and weight of sea-waves it was engraven and finished into its perfect form, ... -
Arte e ciência no século XIX: um estudo em torno da descoberta da fotografia no Brasil
(Centro de Pesquisa e Documentação de História Contemporânea do Brasil da Fundação Getúlio Vargas, 2004)This paper examines the relationship between art and science in the discovery of photography. It concerns an original photographic process created by the Frenchman Hercule Florence in the 19th century Brazil, simultaneously ... -
ARTS AND APPARATUS - Plea for the Dramatisation of an Interface - In Support of a Dramatics of the Difference
(Intersubjectivity: media metaphors, play & provocation - 6th international Vilém Flusser symposium - Budapest Hungary, 1997-03-15)In the world of metaphors in and around the net, the relation to life has become remarkable central. Biology as a discipline has occupied a leading role. If we look towards the autonomy of the ethics and aesthetics of the ... -
At the Crossroads of Art, Technology and Education – a cross-disciplinary expert meeting to discuss responsive media art education culture in the 21C
(2007-11)It is increasingly accepted that, alongside cybernetics, computer science, music and the visual arts, experimental performance practice is also essential for an understanding of past and present media arts history. After ... -
Audio Toy Box: Building customizable communication therapy toys using Radio Frequency Identification
‘Critical Making’ understood as hybrid conceptual/material practices supported by humanistic theories and assumptions are increasingly en vogue. Increasingly, humanities faculties in North America are developing programs ... -
Between Form and Concept - The Positioning of Computer-Based Arts in the Late 1960s
Exhibitions as "Software” [The Jewish Museum, New York, 1970] and the "Tendencije" exhibitions [Zagreb, 1968/69/1973] proclaimed relations between computer generated or controlled artworks and specific artistic movements. ... -
Between light and dark archiving
Some people argue that the digital archive is an oxymoron (Laermans and Gielen 2007) or that it is more akin to an anarchive (Ernst 2002, Zielinski 2014). Derrida mentioned the word anarchive to signal that ‘what remains ... -
Between Media and Art, or Media Art with and Against Art History
My talk will take up my earlier confrontation of Art History (in the form of Rosalind Krauss’s meditations on media art) and Media Studies (in the form of Lev Manovich’s historicization of new media in reference to various ... -
Between punched film and the first computers, the work of Konrad Zuse
The Z3 computer made by Konrad Zuse in 1941 in Berlin is described, paying attention in detail to the facts and inspirations related with the use of punched film as a store medium in that machine. The text has several ... -
Beyond Visualization: Geneologies of Unmapped Complexity in Media Art and Technology
In his 2012 essay, “Are Some Things Unrepresentable,” theorist Alexander Galloway wondered whether an understanding of the control society required a skepticism toward the mapping of systems, given the prominent role of ... -
BioCare: Feminist Labs and the Aesthetics of Care
In the science lab objectivity is key. Protocols are set in place to ensure that experiments go on without interference, without subjectivity, unnecessary inquiry, emotion or caring. These do not seem to be sites of ... -
Biofeedback and the arts: listening as experimental practice
(2005-10)Since the 1960's biofeedback has been incorporated into cognitive science practice with experimental medical and therapeutic research involving both animal and human subjects. Concurrently, feedback was an important model ... -
Bridging Two Cultures: Towards an Interdisciplinary History of the Artist-Inventor and the Machine Artwork
This paper asserts the existence of a long tradition of practice which exploits electronic and mechanical technologies for cultural purposes. It is a quintessentially interdisciplinary practice that pursues technical ... -
Bush Video
Bush Video was a unique collaborative video operation running on an unconsciously anarchic model. It was the seminal organisation through which video in many of its forms was established in Australia. Established in 1973 ...