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Intercultural Interfaces: Correcting the pro-Western Bias of Media History
(2007-11)
Most media histories have been written from a Euro-American perspective: when considered at all, other parts of the world are usually pictured as passive recipients of innovations that have originated in the West, reflecting ...
Intercultural Interfaces: Correcting the pro-Western Bias of Media History
(2007-11)
Most media histories have been written from a Euro-American perspective: when considered at all, other parts of the world are usually pictured as passive recipients of innovations that have originated in the West, reflecting ...
Media Arts and Media Archaeology - Collision or Convergence
The defining characteristic of the media arts is often considered to be their occupation with the most recent technologies. Purporting to uncover their unused potential, media artists push their boundaries, scrutinizing ...
Methodologies (Introduction to the Session)
This session tries to give a critical overview of which methods art history has been using during the past to approach media art. Papers regarding media archaeological, anthropological, narrative and observer oriented ...
Methodologies (Q&A session)
The panel consisted of the following presentations:
• ‘Between Media and Art, or Media Art with and against Art History’ by Mark Hansen;
• ‘Media Arts and Media Archaeology – Collision or Convergence’ by Erkki Huhtamo; ...