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The City as a Projection Space
Contemporary viewers’ reception of moving image based performances is undoubtedly affected by traditional cinematic experience [which refers to a dark, sound insulated room with fixed seats and a rectangular screen]. Since ...
Fields - Manifesting the Transformative Potential of Arts in the Age of Post-Media
Accordingly to several voices, we have entered the post-media age (Krauss 1999, Guattari 1996, Manovich 2000, Weibel 2005, Quaranta 2010). Today, there is no anymore single media dominating in contemporary digital art ...
Code-Switching: Queering Media Art Histories
Speaking in code is the well-documented strategy of subaltern and queer cultures that grants queer people safe passage amidst hostile environments. Queer codes are never entirely separate, but woven into other forms of ...
Alternative Histories of New Media: Telecommunication Technologies and Media Arts in the Middle East
There has been a growing interest in alternative histories for new media imagery in the Middle East, especially after the so-called Arab Spring, in order to critically assess what new media has brought to the region. As ...
Media Scape as an example of curating practice in new media art
I will analyse early curating practices of new media, as well as relationship between artistic and scientific research practice on example of Media Scape. It was an international meeting of media artists which took place ...
A Guide to Post-photographic Territories in the Internet and Gallery (catalogue)
(3xposition.lt and MENE, 2006-10)
The catalogue of exhibition "comments@3xposition.lt: post-photographical condition in contemporary art" (showed in 2006 in Vilnius, Lithuania) contains one text on the exhibition and its context in Lithuania as well as all ...