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Philosophizing in Translation: Vilém Flusser’s Brazilian Writings of the 1960s
(2007-11)
Of the thirty-two years the original and controversial philosopher Vilém Flusser lived in Brazil—from 1940 to 1972 when he left the country to lead a truly nomadic international life of lectures and publications—the 1960s ...
Listening to Cybernetics: Music, Machines, and Nervous Systems, 1950-1980
(2007-11)
The influence of the field of cybernetics on scientific thought and disciplines has been explored in a number of contexts. However, cybernetics was remarkable for its portability and potential application in a wide variety ...
Media Art and Its Critics in the Australian Context
(2007-11)
This paper explores the critical reception of media art in Australia over the past three decades, with a view to encouraging more situated critical histories and historically aware critical practices. I give particular ...
Morphogenesis in action. D’Arcy Thompson, L.L. Whyte and the experimental in Leonardo 1960-2007
(2007-11)
In 1951 LL Whyte edited the proceedings of the symposium Aspects of Form which accompanied the ICA exhibition On Growth and Form curated by Richard Hamilton. Whyte advocated a ‘structural’ vision of nature and art and such ...
The media perspective in the study of scientific abstraction
(2007-11)
What I have chosen to refer to as the "media perspective" is a way of looking at
science, its history and its philosophy which has been successfully employed in a
number of recent studies. In these works, the term “medium” ...
Network Forums and Trading Zones: How Two Experimental, Collaborative Art and Engineering Subcultures Spawned the “9 Evenings: Theatre and Engineering” and E.A.T.
(2007-11)
The historic meeting of electrical engineer Billy Kluver and painter Robert Rauschenberg at the Museum of Modern Art in 1960 symbolizes a larger technocultural convergence of the worlds of research-based applied sciences ...
Network Forums and Trading Zones: How Two Experimental, Collaborative Art and Engineering Subcultures Spawned the “9 Evenings: Theatre and Engineering” and E.A.T.
(2007-11)
The historic meeting of electrical engineer Billy Kluver and painter Robert Rauschenberg at the Museum of Modern Art in 1960 symbolizes a larger technocultural convergence of the worlds of research-based applied sciences ...
Ambientes Imersivos e participativos
(Brasília: IdA, 2005-09)
Ambientes imersivos e participativos nesse texto são espaços que se utilizam do sistema computacional para promover uma ilusão perceptiva e que estimulam os sentidos do visitante através de aparatos multimidiáticos.
Nos ...
Software Art Has No History
(2007-11)
In the 1970s, and in parallel to the increasing visibility of computer technologies in culture, the term software was employed as a cultural metaphor to indicate a shift away from an emphasis on the (hardware) object of ...
Can there be an ‘Art History’ in the South?
(2007-11)
The rise of media art has largely been inclined to media rather than art, in its academic, often elitist too, terms. The mode of production as well as consumption of the contemporary media art penetrated into the ...