Search
Now showing items 31-40 of 101
Democracy and Art at the Venice Biennale. The Legacy of 1968
(2007-11)
This paper investigates the way new media art affected the Venice Biennale in the late 60s. In particular it analyses how the developments of technology in art amplified the critical situation the Venice Biennale was facing ...
Vitalist technocratism in the times of materialist idealism on the philosophy of technology by Piotr Engelmeier in pre- and early Soviet Russia
(2007-11)
The talk interprets the body of work by the philosopher-engineer Piotr Engelmeier dating from the 1910s-1920s. A few stories are tangled together here: a brief history of Russian philosophy of technology; an account of ...
Unstable Events: Performative Science, Materiality and Machinic Practices
(2007-11)
It is increasingly accepted that, alongside cybernetics, computer science, music and the visual arts, experimental performance practice is also essential for an understanding of past and present media arts history. After ...
Anatomy Lessons
(Dewi Lewis Publishing, 2004)
Practice-led interdisciplinary research, linked to completed PhD investigation into representations, historical and contemporary, of the anatomical theatre and the bio-medical domain. Funding: AHRC ‘Small Grants in The ...
The Art of Installation
(Art Inquiry, 2000)
Exchanging Information: metaphors of computation in neuroscience, genetics and new media art
(Museum of Contemporary Arts, Sydney, Australia, 2006)
This paper argues that a common element of language exists between art and science. However, this element does not assist transparent communication between the two fields, as it is primarily metaphor that is the shared ...
Connaïtre les médias d'Afrique subsaharienne:Problématiques, sources et ressources
(Community Research and Development Center, 2010-01)
Arte e ciência no século XIX: um estudo em torno da descoberta da fotografia no Brasil
(Centro de Pesquisa e Documentação de História Contemporânea do Brasil da Fundação Getúlio Vargas, 2004)
This paper examines the relationship between art and science in the discovery of photography. It concerns an original photographic process created by the Frenchman Hercule Florence in the 19th century Brazil, simultaneously ...
A Guide to Post-photographic Territories in the Internet and Gallery (catalogue)
(3xposition.lt and MENE, 2006-10)
The catalogue of exhibition "comments@3xposition.lt: post-photographical condition in contemporary art" (showed in 2006 in Vilnius, Lithuania) contains one text on the exhibition and its context in Lithuania as well as all ...