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Situating the Media Archaeology Lab: Research, Art and the Public
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history.
Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ...
The Theory & Practice of Posthumanities in the Media Archaeology Lab
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history.
Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ...
Sound Citizen: Curating Sound Art in Public Spaces
This paper revisits and contextualizes the curatorial practices and research methodologies from the past two decades
where curating is framing research into sound as medium for art; and the writing of sound art histories. ...
Synartesis: An Experiment in InterChronological and TransHistorical Teaching and Research
Art objects hold a special place in the historical order because of their unique ability to exist both in and out of the
time of their making. Drawing on what has often been pejoratively referred to as anachronistic, ...
Transdisciplinary experimentation and ontological change: an ethnography of art-science
How can we distinguish between the prevalent modes of interdisciplinary practice? And what distinctive orientations
govern these practices? Barry and Born (Interdisciplinarity, 2013) identify three modes of interdisciplinary ...
Sighting Technology in Modern and Contemporary Latin American Art
Not unlike the rest of the world, technological change has had farreaching effects on Latin America. During the early 20th Century, the impact of technology was on the social imaginary, nourishing artistic, narrative and ...
Slow-Scan TV Art; Revisited/Revived
This presentation will encompass Lichty’s research in the history of Slow Scan TV art and performance, a genre
introduced at the first MAH conference in 2005. Over the past ten years, Lichty has acquired and learned ...
Re-Making the Critical University: Media Labs, Making, and Critical Practice (Q&A session)
‘Critical Making’ understood as hybrid conceptual/material practices supported by humanistic theories and assumptions are increasingly en vogue. Increasingly, humanities faculties in North America are developing
programs ...
Media Archaeology and Humanities Labs: Creative Knowledge and Practice-Based Theory (Q&A session)
Q&AMedia archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ...
Virtual Volumes and Electric Choreographies Kinetic and Light Art in the David Bermant Collection
This paper will will give an overview of the David Bermant Collection in Santa Ynez, California — which I researched
during a residency in 2014 — and consider its holdings in the context of recent exhibitions such as ZERO ...