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Now showing items 421-430 of 438
MediaArtHistories: Times & Landscapes 1 (Q&A session)
The panel consisted of the following presentations:
• ‘Islamic Automation: A reading of al-Jazari’s The Book of Knowledge of Ingenious Mechanical Devices (1206)’ by Gunalan Nadarajan;
• ‘REMEMBER THE PHANTASMAGORIA! ...
Rejuvenate: Film, Sound and Music in Media Arts History (Q&A session)
The panel consisted of the following presentations:
• ‘Music: The First Digital Art’ by Douglas Kahn;
• ‘Projection: Vanishing and Becoming’ by Sean Cubitt;
• ‘Hollis Frampton’s Algorithmic Aesthetic’ by Keith Sanborn.
Practices: Histories of the Studio Lab (Q&A session)
The panel consisted of the following presentations:
• ‘Fallout and Spinoffs: Commercializing the Art-Technology Movement’ by W. Patrick McCray;
• ‘Jozef Stanislaus Ostoja-Kotkowski, an Australian artist between Art, ...
MediaArtHistories: Times and Landscapes 2 (Q&A session)
The panel consisted of the following presentations:
• ‘Towards a Comprehensive Technological History of Art’ by Edward Shanken;
• ‘Early British Computer Art: the Findings of the CACHe Project’ by Charly Gere;
• ‘How ...
Image Science and ‘Representation’: From a Cognitive Point of View (Q&A session)
The panel consisted of the following presentations:
• ‘Picturing Uncertainty: From Representation to Mental Representation’ by Barbara Stafford;
• ‘Once upon a time there was a database: Database and narrative from a ...
Art as Research / Artists as Inventors (Q&A session)
The panel consisted of the following presentations:
• ‘Art as Research/ Artists as Inventors’ by Dieter Daniels;
• ‘Richard Monkhouse & Peter Donebauer, and Development of the EMS Spectron and the Videokalos Image ...
High Art/Low Culture – the Future of Media Art Sciences? (Q&A session)
The panel consisted of the following presentations:
• ‘High Art/Low Culture - the Future of Media art Sciences?’ by Karin Bruns;
• ‘Immersive and participative environments’ by Yara Rondon Guasque Araujo;
• ‘Lowbrow, ...
Zombies of the Revolution
Although the body of cybernetics died in the 60's, some of its parts live a ghostly (or uncanny) existence in New Media Art discourse. Cybernetics once promised so much: a new ontology closing the gap between animate and ...
Methodologies (Q&A session)
The panel consisted of the following presentations:
• ‘Between Media and Art, or Media Art with and against Art History’ by Mark Hansen;
• ‘Media Arts and Media Archaeology – Collision or Convergence’ by Erkki Huhtamo; ...
The Digitized Assets of the Graphic Collection of the Göttweig Abbey
(Danube Universtiy Krems / Department for Image Science, 2012)
The dataset catalogs the digitized material and image assets, which are
an outcome of a cooperative project for the digital development and indexing of
the Graphic Print Collection Göttweig, between the Göttweig Abbey ...