Browsing 2. re:place 2007 by Title
Now showing items 33-52 of 58
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Les structures de communication de l'Eglise Evangélique Luthérienne du Cameroun et leur impact socioculturelle dans l'Adamaoua (1960-2003)
This piece of work deals with the structures of communication of the Evangelical Lutheran Church in Cameroon (ELCC) during the years 1960 and 2003. Our topic is mainly based on the house of production Sawtu Linjiila, the ... -
Les structures de communication de l'Eglise Evangélique Luthérienne du Cameroun et leur impact socioculturelle dans l'Adamaoua (1960-2003)
This piece of work deals with the structures of communication of the Evangelical Lutheran Church in Cameroon (ELCC) during the years 1960 and 2003. Our topic is mainly based on the house of production Sawtu Linjiila, the ... -
Listening to Cybernetics: Music, Machines, and Nervous Systems, 1950-1980
(2007-11)The influence of the field of cybernetics on scientific thought and disciplines has been explored in a number of contexts. However, cybernetics was remarkable for its portability and potential application in a wide variety ... -
Media Art and Its Critics in the Australian Context
(2007-11)This paper explores the critical reception of media art in Australia over the past three decades, with a view to encouraging more situated critical histories and historically aware critical practices. I give particular ... -
Morphogenesis in action. D’Arcy Thompson, L.L. Whyte and the experimental in Leonardo 1960-2007
(2007-11)In 1951 LL Whyte edited the proceedings of the symposium Aspects of Form which accompanied the ICA exhibition On Growth and Form curated by Richard Hamilton. Whyte advocated a ‘structural’ vision of nature and art and such ... -
Nation as a Mode of Consumption
(Scottish Church College, Kolkata, 2006-09)Modernity is manifested and perceived in various ways, though contested in their meanings, in everyday life. Expansion of consumer culture is integral to the process of modernity in a typically defined location in the ... -
Network Forums and Trading Zones: How Two Experimental, Collaborative Art and Engineering Subcultures Spawned the “9 Evenings: Theatre and Engineering” and E.A.T.
(2007-11)The historic meeting of electrical engineer Billy Kluver and painter Robert Rauschenberg at the Museum of Modern Art in 1960 symbolizes a larger technocultural convergence of the worlds of research-based applied sciences ... -
Network Forums and Trading Zones: How Two Experimental, Collaborative Art and Engineering Subcultures Spawned the “9 Evenings: Theatre and Engineering” and E.A.T.
(2007-11)The historic meeting of electrical engineer Billy Kluver and painter Robert Rauschenberg at the Museum of Modern Art in 1960 symbolizes a larger technocultural convergence of the worlds of research-based applied sciences ... -
New media art in Lithuania
(Culture, Philosophy and Arts Research Institute, 2007)This article strives to illustrate the main trends of Lithuanian digital art, to name the relevant artists and activists, and to distinguish applicable creative strategies as well as the most significant features of the ... -
Philosophizing in Translation: Vilém Flusser’s Brazilian Writings of the 1960s
(2007-11)Of the thirty-two years the original and controversial philosopher Vilém Flusser lived in Brazil—from 1940 to 1972 when he left the country to lead a truly nomadic international life of lectures and publications—the 1960s ... -
Revolution of the Ear?
(Verlag der Buchhandlung Walther König, 2005)How do acoustic dealings with machines change people’s conception of themselves? This essay presents the context of the media shift from image to sound using as an example the poetic theory of Charles Olson and relates ... -
Skipping stages. From constructivism in architecture and in poetry to the digital media: searching for parameters to understand the emerging media and the formation of a specialized audience in Brazil
Skipping stages searches for parameters that clarify the current production in art and technology and the formation of a specific audience in Brazil. Parameters that can be found in the parallelism between the social-economic ... -
Software Art Has No History
(2007-11)In the 1970s, and in parallel to the increasing visibility of computer technologies in culture, the term software was employed as a cultural metaphor to indicate a shift away from an emphasis on the (hardware) object of ... -
Telefagia, Esquizolinguagens e Libidoeconomia: as metáforas aglutinantes das teleperformances do Perforum Desterro
(ANPAP, 2007)Telephagy as a metaphor is the adventure of recognizing oneself as someone who appropriates the other’s model and puts it as a dysfunction. It updates anthropophagy as the esthetics of regression in a period characterized ... -
Telephagy, Schizolanguages and Libidoeconomy: metaphors that agglutinate the teleperformances of Perforum Desterro.
Telephagy as a metaphor is the adventure of recognizing oneself as someone who appropriates the other’s model and puts it as a dysfunction. It updates anthropophagy as the esthetics of regression in a period characterized ... -
The Art of Installation
(Art Inquiry, 2000) -
The avant-garde in the rear view mirror
(2007-11)The paper discusses a paradigmatic shift in the way artists reflect the historical avant-garde in visual and media art projects of the 1980s and 1990s in (ex-) Yugoslavia and Russia. The reasons for this paradigm shift can ... -
The Haptic Transfer and the Travels of the Abstract Line: Embodied perception from classical Islam to modern Europe
(Löcker Verlag (Vienna), 2007)The major formal elements of Western modernism, the haptic image and abstract line (see Deleuze and Guattari 1987), arrived to the West in considerable part through the influence of Islamic art. The occurrence of these ... -
The Inverted Eye: A Transdisciplinary Gaze into the Dysfunctional Mind
Rene Descartes, when writing on optics and consciousness, (La Dioptrique 1637) instructed the reader to take a dead eye from a recently deceased body and use the eye as the lens for a camera obscura. In his misguided search ...