Browsing 2. re:place 2007 by Author "Guasque Araujo, Yara Rondon"
Now showing items 1-5 of 5
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Ambientes Imersivos e participativos
Guasque Araujo, Yara Rondon (Brasília: IdA, 2005-09)Ambientes imersivos e participativos nesse texto são espaços que se utilizam do sistema computacional para promover uma ilusão perceptiva e que estimulam os sentidos do visitante através de aparatos multimidiáticos. Nos ... -
Immersion as “Social Machine”- analysing the coupling Human-Machine in the industry of entertainment
Guasque Araujo, Yara Rondon (International Society for Presence Research, ISPR, http://www.temple.edu/ispr/ICA2003/Araujo.htm; ICA, www.icahdq.org, 2003-05-23)“Social Machine” is a term that appears in Deleuze and Guattari, Anti-Oedipus, capitalismus and schizophrenia, and in John Canny and Eric Paulos, Tele-embodiment and shattered presence: reconstructing the body for online ... -
Skipping stages. From constructivism in architecture and in poetry to the digital media: searching for parameters to understand the emerging media and the formation of a specialized audience in Brazil
Guasque Araujo, Yara Rondon; Guadagnini, Silvia Regina; Fachinello, Sandra Albuquerque ReisSkipping stages searches for parameters that clarify the current production in art and technology and the formation of a specific audience in Brazil. Parameters that can be found in the parallelism between the social-economic ... -
Telefagia, Esquizolinguagens e Libidoeconomia: as metáforas aglutinantes das teleperformances do Perforum Desterro
Guasque Araujo, Yara Rondon (ANPAP, 2007)Telephagy as a metaphor is the adventure of recognizing oneself as someone who appropriates the other’s model and puts it as a dysfunction. It updates anthropophagy as the esthetics of regression in a period characterized ... -
Telephagy, Schizolanguages and Libidoeconomy: metaphors that agglutinate the teleperformances of Perforum Desterro.
Guasque Araujo, Yara RondonTelephagy as a metaphor is the adventure of recognizing oneself as someone who appropriates the other’s model and puts it as a dysfunction. It updates anthropophagy as the esthetics of regression in a period characterized ...