Browsing 2. re:place 2007 by Issue Date
Now showing items 1-20 of 58
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The Art of Installation
(Art Inquiry, 2000) -
Immersion as “Social Machine”- analysing the coupling Human-Machine in the industry of entertainment
(International Society for Presence Research, ISPR, http://www.temple.edu/ispr/ICA2003/Araujo.htm; ICA, www.icahdq.org, 2003-05-23)“Social Machine” is a term that appears in Deleuze and Guattari, Anti-Oedipus, capitalismus and schizophrenia, and in John Canny and Eric Paulos, Tele-embodiment and shattered presence: reconstructing the body for online ... -
Anatomy Lessons
(Dewi Lewis Publishing, 2004)Practice-led interdisciplinary research, linked to completed PhD investigation into representations, historical and contemporary, of the anatomical theatre and the bio-medical domain. Funding: AHRC ‘Small Grants in The ... -
Arte e ciência no século XIX: um estudo em torno da descoberta da fotografia no Brasil
(Centro de Pesquisa e Documentação de História Contemporânea do Brasil da Fundação Getúlio Vargas, 2004)This paper examines the relationship between art and science in the discovery of photography. It concerns an original photographic process created by the Frenchman Hercule Florence in the 19th century Brazil, simultaneously ... -
Revolution of the Ear?
(Verlag der Buchhandlung Walther König, 2005)How do acoustic dealings with machines change people’s conception of themselves? This essay presents the context of the media shift from image to sound using as an example the poetic theory of Charles Olson and relates ... -
Ambientes Imersivos e participativos
(Brasília: IdA, 2005-09)Ambientes imersivos e participativos nesse texto são espaços que se utilizam do sistema computacional para promover uma ilusão perceptiva e que estimulam os sentidos do visitante através de aparatos multimidiáticos. Nos ... -
Exchanging Information: metaphors of computation in neuroscience, genetics and new media art
(Museum of Contemporary Arts, Sydney, Australia, 2006)This paper argues that a common element of language exists between art and science. However, this element does not assist transparent communication between the two fields, as it is primarily metaphor that is the shared ... -
Nation as a Mode of Consumption
(Scottish Church College, Kolkata, 2006-09)Modernity is manifested and perceived in various ways, though contested in their meanings, in everyday life. Expansion of consumer culture is integral to the process of modernity in a typically defined location in the ... -
A Guide to Post-photographic Territories in the Internet and Gallery (catalogue)
(3xposition.lt and MENE, 2006-10)The catalogue of exhibition "comments@3xposition.lt: post-photographical condition in contemporary art" (showed in 2006 in Vilnius, Lithuania) contains one text on the exhibition and its context in Lithuania as well as all ... -
Iambic Tetrameter in the Service of Revolution
(Verlag der Buchhandlung Walther König, 2006-11)Writing in his book „The Mind and Face of Bolshevism“ about the revolutionary poetry in the Soviet Russia at the early 1920ies a famous Austrian sociologist Rene Fueloep-Miller has mentioned one educational institution of ... -
Images médicales entre art et science
(De Boeck & Larcier, 2007)This paper is part of a still working in progress, which aims to investigate the interactions between art and scientific images. It introduces artworks from the Brazilian artist Monica Mansur and explores questions such ... -
The Haptic Transfer and the Travels of the Abstract Line: Embodied perception from classical Islam to modern Europe
(Löcker Verlag (Vienna), 2007)The major formal elements of Western modernism, the haptic image and abstract line (see Deleuze and Guattari 1987), arrived to the West in considerable part through the influence of Islamic art. The occurrence of these ... -
Intermedial Theatre: ± Technology
(University of Toronto Press, 2007)Reflections on the origin of theatre as a technological art form and the possibility of rethinking theatre through the paradigms of media and materialities. -
New media art in Lithuania
(Culture, Philosophy and Arts Research Institute, 2007)This article strives to illustrate the main trends of Lithuanian digital art, to name the relevant artists and activists, and to distinguish applicable creative strategies as well as the most significant features of the ... -
Telefagia, Esquizolinguagens e Libidoeconomia: as metáforas aglutinantes das teleperformances do Perforum Desterro
(ANPAP, 2007)Telephagy as a metaphor is the adventure of recognizing oneself as someone who appropriates the other’s model and puts it as a dysfunction. It updates anthropophagy as the esthetics of regression in a period characterized ... -
Art, War, and Cambridge Cybernetics
(2007-11)Cambridge, well known for the creation of the first full-scale operational stored-program computer EDSAC, is also important, but less well known, for the development of Cybernetic theory and the application of cross-disciplinary ... -
African Digital Imaginaries
(2007-11)In an environment where popular media forms are traveling across borders and cultures, Africa is often regarded as a colonized space, flooded with foreign media products that are eroding traditional values. However, taking ... -
Art and science playing on the margins. On the discovery of photography in the 19th century Brazil.
(2007-11)This paper examines photography as a particular case of a multiple discovery in science and technology. It concerns an original photographic process developed during the 19th century Brazil simultaneously and independently ... -
The avant-garde in the rear view mirror
(2007-11)The paper discusses a paradigmatic shift in the way artists reflect the historical avant-garde in visual and media art projects of the 1980s and 1990s in (ex-) Yugoslavia and Russia. The reasons for this paradigm shift can ...