Browsing 2. re:place 2007 by Title
Now showing items 1-20 of 58
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A Guide to Post-photographic Territories in the Internet and Gallery (catalogue)
(3xposition.lt and MENE, 2006-10)The catalogue of exhibition "comments@3xposition.lt: post-photographical condition in contemporary art" (showed in 2006 in Vilnius, Lithuania) contains one text on the exhibition and its context in Lithuania as well as all ... -
African Digital Imaginaries
(2007-11)In an environment where popular media forms are traveling across borders and cultures, Africa is often regarded as a colonized space, flooded with foreign media products that are eroding traditional values. However, taking ... -
Ambientes Imersivos e participativos
(Brasília: IdA, 2005-09)Ambientes imersivos e participativos nesse texto são espaços que se utilizam do sistema computacional para promover uma ilusão perceptiva e que estimulam os sentidos do visitante através de aparatos multimidiáticos. Nos ... -
An Eternal Engine
This paper explores the idea of a contemporary Writing Machine. It theorises this notion as a further development of Borges's modernisation of Ramon Llull's 'thinking machine'. The paper applies this analysis to Wikipedia, ... -
Anatomy Lessons
(Dewi Lewis Publishing, 2004)Practice-led interdisciplinary research, linked to completed PhD investigation into representations, historical and contemporary, of the anatomical theatre and the bio-medical domain. Funding: AHRC ‘Small Grants in The ... -
Art and science playing on the margins. On the discovery of photography in the 19th century Brazil.
(2007-11)This paper examines photography as a particular case of a multiple discovery in science and technology. It concerns an original photographic process developed during the 19th century Brazil simultaneously and independently ... -
Art, War, and Cambridge Cybernetics
(2007-11)Cambridge, well known for the creation of the first full-scale operational stored-program computer EDSAC, is also important, but less well known, for the development of Cybernetic theory and the application of cross-disciplinary ... -
Arte e ciência no século XIX: um estudo em torno da descoberta da fotografia no Brasil
(Centro de Pesquisa e Documentação de História Contemporânea do Brasil da Fundação Getúlio Vargas, 2004)This paper examines the relationship between art and science in the discovery of photography. It concerns an original photographic process created by the Frenchman Hercule Florence in the 19th century Brazil, simultaneously ... -
At the Crossroads of Art, Technology and Education – a cross-disciplinary expert meeting to discuss responsive media art education culture in the 21C
(2007-11)It is increasingly accepted that, alongside cybernetics, computer science, music and the visual arts, experimental performance practice is also essential for an understanding of past and present media arts history. After ... -
Can there be an ‘Art History’ in the South?
(2007-11)The rise of media art has largely been inclined to media rather than art, in its academic, often elitist too, terms. The mode of production as well as consumption of the contemporary media art penetrated into the ... -
‘Complexity-Uncanny’: Concepts and Methods in 20th century art
D'Arcy Thompson's 1917 On Growth and Form has had an unprecedented impact on modernism and the production of modernist discourses on form. The reception of Thompson's work in the context of the history of science, art and ... -
Connaïtre les médias d'Afrique subsaharienne:Problématiques, sources et ressources
(Community Research and Development Center, 2010-01) -
Corridors of Practice I: Technology and Performance Art on the North American Pacific Coast in the 1970s and Early 80s
(2007-11)In 1969, the Vancouver Art Gallery mounted the first Intermedia exhibition, Electrical Connection, featuring a broad range of works. With their geodesic domes, preoccupation with circuit schematics and "happening" presentation ... -
Death in Paris: How Mathematics Became an Art
(2007-11)In the early decades of the 19th century, the science of mathematics underwent a transformation that has shaped its course to this day. From a field that studies the physical world around us, it became the study of sublime ... -
Democracy and Art at the Venice Biennale. The Legacy of 1968
(2007-11)This paper investigates the way new media art affected the Venice Biennale in the late 60s. In particular it analyses how the developments of technology in art amplified the critical situation the Venice Biennale was facing ... -
Exchanging Information: metaphors of computation in neuroscience, genetics and new media art
(Museum of Contemporary Arts, Sydney, Australia, 2006)This paper argues that a common element of language exists between art and science. However, this element does not assist transparent communication between the two fields, as it is primarily metaphor that is the shared ... -
Force and its Measure
Today, one often hears people talking about many different kinds of force having little or nothing in common with each other. The notion of “force” does not constitute a subject worth of interdisciplinary discussions between ... -
Force and its Measure
Today, one often hears people talking about many different kinds of force having little or nothing in common with each other. The notion of “force” does not constitute a subject worth of interdisciplinary discussions between ...