Now showing items 36-55 of 118

    • From Cybercolonialism to Cyberglocalization: A Virtual Shifting of Cultural Identity on National Museum Websites 

      Morbey, Mary Leigh
      Internet communications technologies change culture and subsequently how a museum represents itself. This is particularly so as national musea websites transform how we view and understand the cultural artifacts they house. ...
    • From Nothingness to Technology, What Do We Read Ourselves in New Media 

      Tam, County (2005-10)
      From the early beginning of western art history, art and technology are inseparable. The original meaning of the word "techne" in ancient Greek means "art" and "craft". The term "technology", was therefore a discourse on ...
    • From Scenography to Planetary Network 

      Ancel, Franck (2005-10)
      Spectacular and technological, between the historic Avant-Garde and Post-Modernity, Jacques Polieri crosses and deconstructs data. Since the scenographic design of his shows is more complex than simply decorating space, ...
    • Going Beyond the Body's Limits: Raoul Hausmann's Art of Prosthetic Perception 

      Borck, Cornelius (2005-10)
      Going Beyond the Body's Limits: Raoul Hausmann's Art of Prosthetic Perception Avant-garde cultures of the 1920s, revolving around then-new media, envisioned the fusion of art and technology as a decisive step in the shaping ...
    • Gordon Pask: Cybernetic Polymath 

      Fernandez, Maria (2005-10)
      The creative role of artists working with technology is slowly becoming recognized. The impact of scientists who experiment with art is less visible even in the histories of technological art (Popper, Davies, Lovejoy, ...
    • Grounded Materialities: Who Isn't Interdisciplinary? 

      Straw, Will
      My intervention will make the case that interdisciplinary has become a meaningless context given the broad dispersion of cultural theory into all activity, the inevitably historical character of all work, and the inescapable, ...
    • Hey, Look at Me! Thoughts on the Canonical Exclusion of Early Electronic Art 

      Seck Langill, Caroline
      This paper will address the absence of early electronic art from the historically evolving artistic canon. Looking specifically at work produced between 1970 and 1995 by Canadian artists, Doug Back, Catherine Richards, Tom ...
    • High Art/Low Culture - the Future of Media art Sciences? 

      Bruns, Karin
      High Art/Low Culture - the future of media art sciences? The gap between fine art and popular culture, ‚high art oeuvres' and ‚industrial media products' has been a point of discussion since Lesli Fiedler's canonical ...
    • High Art/Low Culture – the Future of Media Art Sciences? (Q&A session) 

      Guasque Araujo, Yara Rondon; Bruns, Karin; Pias, Claus; Paul, Barbara; Polaine, Andrew
      The panel consisted of the following presentations: • ‘High Art/Low Culture - the Future of Media art Sciences?’ by Karin Bruns; • ‘Immersive and participative environments’ by Yara Rondon Guasque Araujo; • ‘Lowbrow, ...
    • History of Institutions (Q&A session) 

      Sakane, Itsuo; Broeckmann, Andreas; Reichardt, Jasia; Naimark, Michael; Richards, Peter; Goebel, Johannes
    • Hollis Frampton's Algorithmic Aesthetic 

      Sanborn, Keith
      Using Borges's essay on Coleridge's "Kublai Khan" as a metaphor for personal artistic evolution and the unfolding of media history, this essay investigates the trajectory of Hollis Frampton's theoretical and media work as ...
    • How Anti-Computer Sentiment Shaped Early Computer Art 

      Grant, Taylor
      Artist physically attacked by protestors! Art works severely censured by art critics! Art curator’s career curtailed by the establishment! What kind of art could elicit such negative, indifferent or fearful response? This ...
    • Idiosyncratic Archaeologies: Realigning Media History 

      Druckrey, Timothey
      There’s little argument that the history of ‘media art’ is not limited to the mere deployment of specific implementations. To formulate media histories as a mere evolution of an apparatus linked with progressive notions ...
    • Image Science and ‘Representation’: From a Cognitive Point of View (Q&A session) 

      Clark, Tim; Salter, Christopher; Thurtle, Philipp; Valdes, Claudia X.; Ross, Christina; Veel, Kristin; Stafford, Barbara
      The panel consisted of the following presentations: • ‘Picturing Uncertainty: From Representation to Mental Representation’ by Barbara Stafford; • ‘Once upon a time there was a database: Database and narrative from a ...
    • Image, Process, Performance, Machine. Aspects of a Machinic Aesthetics 

      Broeckmann, Andreas (2005-10)
      For many centuries, machines have influenced the way we construct, read and understand the world. Such mediated approaches to the world have been further dramatised by digital apparatuses. They abstract the visible as well ...
    • Immersive and participative environments 

      Guasque Araujo, Yara Rondon (2005-10)
      Immersive and participative environments in this text are spaces which use computing systems to promote a state of perceptive illusion and which incite the visitor to participation stimulating and impressing sensory ...
    • Indiscipline 

      Durand, Guy Sioui
      Guy Sioui Durand will propose a socio-critical examination of two zones of « indicipline » in artistic practice : social transactions art (or “esthétique relationnelle”) and trans-diciplinary (or trans-media) sound art. ...
    • Is New Media New? 

      Burnett, Ron
      The disciplines that constitute Art and Design have developed into rapidly evolving research domains that include sound, image, video, digital media, mixed media (including print media), new forms of visual expression, ...