Now showing items 48-67 of 118

    • Idiosyncratic Archaeologies: Realigning Media History 

      Druckrey, Timothey
      There’s little argument that the history of ‘media art’ is not limited to the mere deployment of specific implementations. To formulate media histories as a mere evolution of an apparatus linked with progressive notions ...
    • Image Science and ‘Representation’: From a Cognitive Point of View (Q&A session) 

      Clark, Tim; Salter, Christopher; Thurtle, Philipp; Valdes, Claudia X.; Ross, Christina; Veel, Kristin; Stafford, Barbara
      The panel consisted of the following presentations: • ‘Picturing Uncertainty: From Representation to Mental Representation’ by Barbara Stafford; • ‘Once upon a time there was a database: Database and narrative from a ...
    • Image, Process, Performance, Machine. Aspects of a Machinic Aesthetics 

      Broeckmann, Andreas (2005-10)
      For many centuries, machines have influenced the way we construct, read and understand the world. Such mediated approaches to the world have been further dramatised by digital apparatuses. They abstract the visible as well ...
    • Immersive and participative environments 

      Guasque Araujo, Yara Rondon (2005-10)
      Immersive and participative environments in this text are spaces which use computing systems to promote a state of perceptive illusion and which incite the visitor to participation stimulating and impressing sensory ...
    • Indiscipline 

      Durand, Guy Sioui
      Guy Sioui Durand will propose a socio-critical examination of two zones of « indicipline » in artistic practice : social transactions art (or “esthétique relationnelle”) and trans-diciplinary (or trans-media) sound art. ...
    • Is New Media New? 

      Burnett, Ron
      The disciplines that constitute Art and Design have developed into rapidly evolving research domains that include sound, image, video, digital media, mixed media (including print media), new forms of visual expression, ...
    • Islamic Automation A Reading of al-Jazari's The Book of Knowledge of Ingenious Mechanical Devices (1206) 

      Nadarajan, Gunalan
      This paper would draw on the work of al-Jazari, a 13th century Islamic scholar, engineer and scientist, specifically his The Book of Knowledge of Ingenious Devices, as a means to develop alternative histories and futures ...
    • Latent Rhythm: Algorithmic Performativity in Media Art and Islamic Calligraphy 

      Marks, Laura U.
      Algorithmic art forms are characterized by latent movement. If an algorithm is a statement of instructions that will bring about a new state, then many repetitive art forms can be said to be algorithmic. In computer media, ...
    • Legitimizing Video Games as an Art-Medium 

      Salmond, Michael (2005-10)
      Are video games Art? There is certainly much creativity in the medium but little of what one could consider Fine Art. The focus of most video games is reflected in the rise of the behemoth video game corporations with an ...
    • Locative Media and Spatial Narrative 

      Rieser, Martin (2005-10)
      A survey of early cultural artifacts and their mining by contemporary locative media art and interactive public art practice. Specifically examined are issues of religious ritual, narrative and its spatialisation, including ...
    • Logic of Innovation: Interpreting 'Invention' in Art and Science 

      Werrett, Simon
      In the sixteenth and seventeenth century, 'invention' often referred to a process of composition which traversed artistic, literary, and scientific fields. In the eighteenth century, the concept changed its meaning, ...
    • Lowbrow, high art: Why Big Fine Art doesn't understand interactivity 

      Polaine, Andrew (2005-10)
      Interactivity and playfulness are rarely exalted in the conservative institutions, or Big Fine Art, either because it they signify a lack of serious comment or because these approaches are populist, which Big Fine Art ...
    • Making Studies in New Media Critical 

      Lenoir, Tim
      Science Studies faces new challenges in making public the societal and ethical implications of contemporary technoscience. Not only must we contend with its multidisciplinary character, and its close linkage to entrepreneurial ...
    • Media Art in Pakistan - Not just another "in your face" advertisement campaign! 

      Malik, Atteqa (2005-10)
      In the last few years Pakistani city dwellers have witnessed a series of audio visual explosions. Along with towering billboards obstructing the city skyline and distracting mobile phones that ring in public spaces, a ...
    • 'Media Art Net': Database and Context 

      Frieling, Rudolf
      "Media Art Net": Database and Context "Media Art Net" aims at mediating and contextualizing media art online, a project edited by Rudolf Frieling and Dieter Daniels and commissioned by ZKM (Center for Art and Media), ...
    • Media Art Sciences & Feminist Theories: New Alliances? 

      Paul, Barbara (2005-10)
      The old and odd discussion concerning High Art versus Low Culture might be still alive in mainstream art history as well as in an advanced media art history and/or media art sciences. I do not want to force this issue ...
    • Media Art: Hybridization and Autonomy 

      Couchot, Edmond (2005-10)
      In order to replace Media Art in its intercultural and historical context, the author attempts to define what characterizes it, beyond the sometimes great differences of its expressions. And what characterizes it is ...
    • Media Arts and Media Archaeology - Collision or Convergence 

      Huhtamo, Erkki
      The defining characteristic of the media arts is often considered to be their occupation with the most recent technologies. Purporting to uncover their unused potential, media artists push their boundaries, scrutinizing ...