Browsing 6. re-CREATE 2015 by Title
Now showing items 9-28 of 72
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Digital Art History, 56°56’51” N 24°6’23”E
Fortunately Latvia has found a place in Media Art history. This is evidenced by the annual festival Art+Communication held in Riga, the pioneering status of ELAB as the early developers of Net Art, the prix Ars Electronica ... -
Edmund Carpenter’s Experiments across Visual Anthropology and Critical Media Pedagogies
This presentation explores the neglected contributions of the unorthodox cultural anthropologist Edmund Carpenter (19222011) to crossdisciplinary media and communication studies. Carpenter worked in CBC radio, film, ... -
End Time: Apocalyptic Systems in Media Art and Design
In contemporary art, design, and architecture, generative, recombinatory or autopoetic aesthetics often come not from a space of openended possibility, but of hope against specific perceived crises or catastrophes. In ... -
Entendre la guerre, éprouver le temps : l’expérience sonore dans Starry Night (2006) de Mazen Kerbaj
Lors d’une conférence prononcée à Montréal (FTA, 2014), les artistes Rabih Mroué et Lina Saneh ont témoigné du désenchantement lié à l’impossibilité de se projeter dans le futur au cours de la guerre civile libanaise ... -
Exhibition as Lab. Erkki Kurenniemi in 2048, Documenta 13
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ... -
Fallout and Spinoffs: Commercializing the Art-Technology Movement
A common theme found in the hybrid practices of the 1960sera art & technology movement is practitioners’ engagement with industry and the marketplace. This talk explores facets of this interaction. My focus is the pursuit ... -
Feasibility and Failure. Previously: Mechanography, Film and Education
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ... -
Filming Simondon: Cultural Hysteresis and Technological Humanism
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ... -
Fotoformas, 1949-1951: Photography and Algorithmic Devices, An Early Interaction.
Not unlike the rest of the world, technological change has had farreaching effects on Latin America. During the early 20th Century, the impact of technology was on the social imaginary, nourishing artistic, narrative and ... -
Franceso Mariotti: in pursuit of a hybrid ideal through art, media and nature
Not unlike the rest of the world, technological change has had farreaching effects on Latin America. During the early 20th Century, the impact of technology was on the social imaginary, nourishing artistic, narrative and ... -
Harold Innis's ProtoMedia Archaeology
My presentation contributes to MAH by examining Harold Innis's unique 'civilizational' approach to media history in the context of contemporary debates around material culture. Innis's work which anticipated current ... -
Henry Cowell and Dr. and Mrs Dower’s “Tonal Therapy”
In 1922 the American modernist composer, Henry Cowell published his first single-authored piece of writing. Entitled “Tonal Therapy” it was published in The Temple Artisan, a periodical of the Theosophical community of ... -
Image-material-media - A philo-curatorial interrogation
Considering intersections of materiality, imageness and objecthood in contemporary art , with works of artists like Shilpa Gupta, Raqs Media Collective and others as instances, the paper will look at contemporary new media ... -
Infolding the Self: From Video Therapy to Video Art
When video art emerged in the late 1960s, video became a boundary object facilitating interaction between artists and scientists, particularly psychotherapists interesting in the effects of watching oneself on tape. Both ... -
Instrumental Anthropocentrism: insects, sustainable culture and technological innovation
Recently, we have been witnessing an intensification of technoscientific research and innovations centered on insects. Insects are genetically modified to fight devastating diseases such as Dengue Fever or Malaria; their ... -
Interdisciplinaries Approaches to Second Order Cybernetics During the Early 70s in Chile: Artistic, Scientific and Techno/Political Experiences.
During the late 1960’s and early 70’s chilean artist Juan Downey, biologists Humberto Maturana and Francisco Varela, and Allende’s Economy Minister, engineer Fernando Flores, worked under the conceptual framework of second ... -
International Networks of Early Digital Arts
The histories of international networks that transgressed the Cold war barriers and were involved with digital arts in the 1960s and early 1970s are an underresearched subject in many respects. Here is proposed a short ... -
Intersectionality and New Media Art: Your Ethnic Apparel is Still Downloading
This paper examines the implications of intersectionality theory and critical race studies on the politics of representation of people of colour and Indigenous people in new media art. Specifically it proposes an ... -
Jozef Stanislaus Ostoja-Kotkowski, an Australian artist between Art, Industry, Science and the Academy.
Jozef Stanislaus OstojaKotkowski (19221994) is a major figure of Australian artistic innovation whose full significance has only recently begun to be properly recognised and contextualised within a critical, art ... -
Keynote - Looking In & Looking Out
The lecture begins with a brief summary of works starting in 1968 to 1976 to establish the ideas that echo throughout her career, then concentrates on her recent work from 2002 to now. There is consideration of how the ...