Browsing 6. re-CREATE 2015 by Title
Now showing items 39-58 of 72
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“Pathways to Innovation in Digital Culture” Revisited
The speaker’s 1999 report Pathways to Innovation in Digital Culture, commissioned by the Rockefeller Foundation, observed a rising density of interconnections between the worlds of art, technology and science. Designating ... -
Pioneering Experiences in Art, Science and Technology in Latin America + Interdisciplinary Site (Q&A session)
The panel consisted of the following presentations: • ‘Fotoformas, 1949-1951: Photography and Algorithmic Devices, An Early Interaction’ by Andrés Burbano; • ‘Franceso Mariotti: in pursuit of a hybrid ideal through art, ... -
Post-digital Circulationism. On- and Offline Intermedia Discourse in Contemporary Art and Scholarship
The post-digital phenomenon of circulationism (Hito Steyerl), the wandering of images and data across media and through global networks, marks a decisive change compared to prior practices of visual culture. In today’s ... -
Practices and Languages of Art
Recognition of artistic practices as academic research continues to provoke much debate. In exchange for their validation, higher education institutions demand the clear articulation of artistic research questions ... -
Practices: Curating as Research (Q&A session)
The panel consisted of the following presentations: • ‘Virtual Volumes and Electric Choreographies Kinetic and Light Art in the David Bermant Collection’ by Christiane Paul; • ‘Sound Citizen: Curating Sound Art in Public ... -
Practices: Histories of the Studio Lab (Q&A session)
The panel consisted of the following presentations: • ‘Fallout and Spinoffs: Commercializing the Art-Technology Movement’ by W. Patrick McCray; • ‘Jozef Stanislaus Ostoja-Kotkowski, an Australian artist between Art, ... -
Préservation et archéologie des média: importance de la rétro ingénierie dans la reconstruction archéologique d'œuvres d'art à composante technologique
La reconstruction d'œuvres d'art à composante technologique au plus bas niveau des matérialités représente les mêmes défis et controverses que la reconstruction de restes archéologiques ou de monuments historiques. Il ... -
Projection Studies
This paper aims at contrasting the traditional field of “screen and film studies” with an investigative approach inspired by practices of projection, more attentive to the heterogeneous character of media technology, and ... -
Psychedelic Circuitry 1880–1980. Signals between Esotericism, New Religions, Engineering and Art – Their Potentials of Positive Diffraction Today
Technologies based on electricity have since a long time been the source for creative, imaginative and esoteric cultures. A first part will discuss critically some examples of interesting interferences between psychic, ... -
Re-Habilitating Bacteria
Within the oscillation of art based research and research based art, bacteria today increasingly appear as a transhistorical trope of 1) how aesthetic strategies, knowledge production and the construction of metaphors ... -
Re-Making the Critical University: Media Labs, Making, and Critical Practice (Q&A session)
‘Critical Making’ understood as hybrid conceptual/material practices supported by humanistic theories and assumptions are increasingly en vogue. Increasingly, humanities faculties in North America are developing programs ... -
Recalling Renegade Library and other Social Practice Methodologies from the late 1990s
Shuffling through the pseudobureaucratic residue from the 1998 exhibition, Renegade Library: An Exhibition of Collaborative Mail Art in Book Form (Art Gallery of Southwestern Manitoba), it appears that what was once ... -
Recherchecréation dans les écoles d’art et institutions françaises
Depuis la création des départements d'arts plastiques dans les universités françaises voici quarante ans, la figure de l'artistechercheur ou du chercheurartiste est restée problématique. Au sein des cadres institutionnels ... -
Regard transversal sur des pratiques inter- et trans
«The problems in the world are not withindiscipline problems» soutient Sharon Derry rejoignant toute une série de démarches qui tentent d’articuler diverses approches scientifiques entre elles et de relier art et science ... -
Rekall - An open-source environment to document, analyze and simplify the restaging of time based media artworks.
With the emergence of huge digitalized datasets and digital corpora, we now frequently come across very large amounts of data, challenging existing research methodologies and expectations - especially as regards to the ... -
Right before the first boom: The lost stereoscopy of Norman McLaren and the National Film Board of Canada
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ... -
Right before the first boom: The lost stereoscopy of Norman McLaren and the National Film Board of Canada
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ... -
Sensory Vantage Points: Examining Habitual addresses to Digital Media in NYC Public Spaces
When media technologies are introduced into public spaces, the human habitually address technology through visual and/or auditory interfaces. A brief genealogy of how digital media interfaces are designed, and ways that ... -
Sighting Technology in Modern and Contemporary Latin American Art
Not unlike the rest of the world, technological change has had farreaching effects on Latin America. During the early 20th Century, the impact of technology was on the social imaginary, nourishing artistic, narrative and ... -
Situating the Media Archaeology Lab: Research, Art and the Public
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ...