Browsing 6. re-CREATE 2015 by Title
Now showing items 48-67 of 72
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Re-Habilitating Bacteria
Within the oscillation of art based research and research based art, bacteria today increasingly appear as a transhistorical trope of 1) how aesthetic strategies, knowledge production and the construction of metaphors ... -
Re-Making the Critical University: Media Labs, Making, and Critical Practice (Q&A session)
‘Critical Making’ understood as hybrid conceptual/material practices supported by humanistic theories and assumptions are increasingly en vogue. Increasingly, humanities faculties in North America are developing programs ... -
Recalling Renegade Library and other Social Practice Methodologies from the late 1990s
Shuffling through the pseudobureaucratic residue from the 1998 exhibition, Renegade Library: An Exhibition of Collaborative Mail Art in Book Form (Art Gallery of Southwestern Manitoba), it appears that what was once ... -
Recherchecréation dans les écoles d’art et institutions françaises
Depuis la création des départements d'arts plastiques dans les universités françaises voici quarante ans, la figure de l'artistechercheur ou du chercheurartiste est restée problématique. Au sein des cadres institutionnels ... -
Regard transversal sur des pratiques inter- et trans
«The problems in the world are not withindiscipline problems» soutient Sharon Derry rejoignant toute une série de démarches qui tentent d’articuler diverses approches scientifiques entre elles et de relier art et science ... -
Rekall - An open-source environment to document, analyze and simplify the restaging of time based media artworks.
With the emergence of huge digitalized datasets and digital corpora, we now frequently come across very large amounts of data, challenging existing research methodologies and expectations - especially as regards to the ... -
Right before the first boom: The lost stereoscopy of Norman McLaren and the National Film Board of Canada
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ... -
Right before the first boom: The lost stereoscopy of Norman McLaren and the National Film Board of Canada
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ... -
Sensory Vantage Points: Examining Habitual addresses to Digital Media in NYC Public Spaces
When media technologies are introduced into public spaces, the human habitually address technology through visual and/or auditory interfaces. A brief genealogy of how digital media interfaces are designed, and ways that ... -
Sighting Technology in Modern and Contemporary Latin American Art
Not unlike the rest of the world, technological change has had farreaching effects on Latin America. During the early 20th Century, the impact of technology was on the social imaginary, nourishing artistic, narrative and ... -
Situating the Media Archaeology Lab: Research, Art and the Public
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ... -
Slow-Scan TV Art; Revisited/Revived
This presentation will encompass Lichty’s research in the history of Slow Scan TV art and performance, a genre introduced at the first MAH conference in 2005. Over the past ten years, Lichty has acquired and learned ... -
Sound Citizen: Curating Sound Art in Public Spaces
This paper revisits and contextualizes the curatorial practices and research methodologies from the past two decades where curating is framing research into sound as medium for art; and the writing of sound art histories. ... -
Synartesis: An Experiment in InterChronological and TransHistorical Teaching and Research
Art objects hold a special place in the historical order because of their unique ability to exist both in and out of the time of their making. Drawing on what has often been pejoratively referred to as anachronistic, ... -
Tactical media in the age of communicative capitalism – closed story, unfinished project or current alternative?
While analyzing the status of tactical media in the middle of the past decade, Felix Stalder makes a drastic diagnosis, that tactical media are a finished project. I think, however, that this statement should be read not ... -
Technoromantics, Maker Culture and Critical Neo-Luddism
‘Critical Making’ understood as hybrid conceptual/material practices supported by humanistic theories and assumptions are increasingly en vogue. Increasingly, humanities faculties in North America are developing programs ... -
‘The Arts Make Us Richer’™: Propertization of Digital Art Using Cryptocurrency Technologies
This paper explores recent efforts by cultural institution and private startup companies to engineer digital art markets using cryptocurrency technologies in order to propertize digital artworks that were previously ... -
The Co-production of Art: Collaborations between artists, scientists and engineers in Sweden, 1967-2009
During the 1960s, when artists started to gain access to computers at universities and research departments in the industry, a new kind of collaboration between artists and engineers emerged. Today, during the first decade ... -
The Theory & Practice of Posthumanities in the Media Archaeology Lab
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ...