Browsing 6. re-CREATE 2015 by Issue Date
Now showing items 21-40 of 72
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Infolding the Self: From Video Therapy to Video Art
When video art emerged in the late 1960s, video became a boundary object facilitating interaction between artists and scientists, particularly psychotherapists interesting in the effects of watching oneself on tape. Both ... -
Fotoformas, 1949-1951: Photography and Algorithmic Devices, An Early Interaction.
Not unlike the rest of the world, technological change has had farreaching effects on Latin America. During the early 20th Century, the impact of technology was on the social imaginary, nourishing artistic, narrative and ... -
Harold Innis's ProtoMedia Archaeology
My presentation contributes to MAH by examining Harold Innis's unique 'civilizational' approach to media history in the context of contemporary debates around material culture. Innis's work which anticipated current ... -
Filming Simondon: Cultural Hysteresis and Technological Humanism
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ... -
Jozef Stanislaus Ostoja-Kotkowski, an Australian artist between Art, Industry, Science and the Academy.
Jozef Stanislaus OstojaKotkowski (19221994) is a major figure of Australian artistic innovation whose full significance has only recently begun to be properly recognised and contextualised within a critical, art ... -
Interdisciplinaries Approaches to Second Order Cybernetics During the Early 70s in Chile: Artistic, Scientific and Techno/Political Experiences.
During the late 1960’s and early 70’s chilean artist Juan Downey, biologists Humberto Maturana and Francisco Varela, and Allende’s Economy Minister, engineer Fernando Flores, worked under the conceptual framework of second ... -
La recherchecréation à l’université : cadrage sociohistorique et enjeux d’un nouveau type de recherche
Cette proposition de communication porte sur la recherchecréation comme forme de recherche au sein de l’université. L’ouverture récente de programmes de deuxième et troisième cycles dans le domaine des arts dans certaines ... -
Intersectionality and New Media Art: Your Ethnic Apparel is Still Downloading
This paper examines the implications of intersectionality theory and critical race studies on the politics of representation of people of colour and Indigenous people in new media art. Specifically it proposes an ... -
La méthode de Pierre Schaeffer
Cette communication repose sur la proposition d’un modèle de recherchecréation émergeant de l’étude du processus de recherche qui a mené Pierre Schaeffer à l’invention de la musique concrète. Les fameuses expériences ... -
Media and Computer Archaeology at Humboldt University
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ... -
International Networks of Early Digital Arts
The histories of international networks that transgressed the Cold war barriers and were involved with digital arts in the 1960s and early 1970s are an underresearched subject in many respects. Here is proposed a short ... -
Matter and Thought: Gordon Pask’s Practice-Based Research
For the cybernetician Gordon Pask (1928-1996), the process of thinking was inextricable from doing and making. He maintained that concepts were bound with materials and procedures. This paper investigates the notion of a ... -
Keynote - Looking In & Looking Out
The lecture begins with a brief summary of works starting in 1968 to 1976 to establish the ideas that echo throughout her career, then concentrates on her recent work from 2002 to now. There is consideration of how the ... -
Multimedia artists and fieldwork (1960-80s)
The coming together of human engineering, experimental psychology, ethnography, communication and learning theory in the work of two artists, the Chilean Juan Downey and the American Paul Ryan (196080s), serve as a departing ... -
Media Archaeology and Humanities Labs: Creative Knowledge and Practice-Based Theory
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ... -
Post-digital Circulationism. On- and Offline Intermedia Discourse in Contemporary Art and Scholarship
The post-digital phenomenon of circulationism (Hito Steyerl), the wandering of images and data across media and through global networks, marks a decisive change compared to prior practices of visual culture. In today’s ... -
“Pathways to Innovation in Digital Culture” Revisited
The speaker’s 1999 report Pathways to Innovation in Digital Culture, commissioned by the Rockefeller Foundation, observed a rising density of interconnections between the worlds of art, technology and science. Designating ... -
New Media Curating: Sound as a Technological Medium
The paper presents the interdisciplinary intersections and impacts in between new media art and sound practices. Through the exploration of the formation and rise of interdisciplinary research fields, the paper presents ... -
Practices and Languages of Art
Recognition of artistic practices as academic research continues to provoke much debate. In exchange for their validation, higher education institutions demand the clear articulation of artistic research questions ... -
On A Critical History of Media Art in Japan (2014)
This article is based on the author’s recent publication, A Critical History of Media Art in Japan (Artes Publishing, Tokyo, 2014). The book examines continuity and/or discontinuity in the history of media art focusing ...