re-CREATE Conference - Presentations: Recent submissions
Now showing items 21-40 of 72
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Recalling Renegade Library and other Social Practice Methodologies from the late 1990s
Shuffling through the pseudobureaucratic residue from the 1998 exhibition, Renegade Library: An Exhibition of Collaborative Mail Art in Book Form (Art Gallery of Southwestern Manitoba), it appears that what was once ... -
Media Archaeology and Humanities Labs: Creative Knowledge and Practice-Based Theory (Q&A session)
Q&AMedia archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ... -
Archiving Failure: Film, History and Unfinished Projects (Q&A session)
The panel consisted of the following presentations: • ‘Notebooks, raw film reels and ephemera as Research-creation (Process)’ by Monika Kin Gagnon; • ‘Mechanography, Film and Education’ by Mark Hayward; • ‘Right before ... -
Re-Making the Critical University: Media Labs, Making, and Critical Practice (Q&A session)
‘Critical Making’ understood as hybrid conceptual/material practices supported by humanistic theories and assumptions are increasingly en vogue. Increasingly, humanities faculties in North America are developing programs ... -
Practices: Curating as Research (Q&A session)
The panel consisted of the following presentations: • ‘Virtual Volumes and Electric Choreographies Kinetic and Light Art in the David Bermant Collection’ by Christiane Paul; • ‘Sound Citizen: Curating Sound Art in Public ... -
Practices: Histories of the Studio Lab (Q&A session)
The panel consisted of the following presentations: • ‘Fallout and Spinoffs: Commercializing the Art-Technology Movement’ by W. Patrick McCray; • ‘Jozef Stanislaus Ostoja-Kotkowski, an Australian artist between Art, ... -
Psychedelic Circuitry 1880–1980. Signals between Esotericism, New Religions, Engineering and Art – Their Potentials of Positive Diffraction Today
Technologies based on electricity have since a long time been the source for creative, imaginative and esoteric cultures. A first part will discuss critically some examples of interesting interferences between psychic, ... -
Projection Studies
This paper aims at contrasting the traditional field of “screen and film studies” with an investigative approach inspired by practices of projection, more attentive to the heterogeneous character of media technology, and ... -
Préservation et archéologie des média: importance de la rétro ingénierie dans la reconstruction archéologique d'œuvres d'art à composante technologique
La reconstruction d'œuvres d'art à composante technologique au plus bas niveau des matérialités représente les mêmes défis et controverses que la reconstruction de restes archéologiques ou de monuments historiques. Il ... -
Practices and Languages of Art
Recognition of artistic practices as academic research continues to provoke much debate. In exchange for their validation, higher education institutions demand the clear articulation of artistic research questions ... -
Post-digital Circulationism. On- and Offline Intermedia Discourse in Contemporary Art and Scholarship
The post-digital phenomenon of circulationism (Hito Steyerl), the wandering of images and data across media and through global networks, marks a decisive change compared to prior practices of visual culture. In today’s ... -
Pioneering Experiences in Art, Science and Technology in Latin America + Interdisciplinary Site (Q&A session)
The panel consisted of the following presentations: • ‘Fotoformas, 1949-1951: Photography and Algorithmic Devices, An Early Interaction’ by Andrés Burbano; • ‘Franceso Mariotti: in pursuit of a hybrid ideal through art, ... -
“Pathways to Innovation in Digital Culture” Revisited
The speaker’s 1999 report Pathways to Innovation in Digital Culture, commissioned by the Rockefeller Foundation, observed a rising density of interconnections between the worlds of art, technology and science. Designating ... -
On A Critical History of Media Art in Japan (2014)
This article is based on the author’s recent publication, A Critical History of Media Art in Japan (Artes Publishing, Tokyo, 2014). The book examines continuity and/or discontinuity in the history of media art focusing ... -
Notebooks, raw film reels and ephemera as Research-creation (Process)
Where does failure sit within the history of research creation and its contemporary elaboration? While the ‘object’, the ‘work’, and even the ‘accident’ have been explored and critiqued as significant concepts for producing ... -
New Media Curating: Sound as a Technological Medium
The paper presents the interdisciplinary intersections and impacts in between new media art and sound practices. Through the exploration of the formation and rise of interdisciplinary research fields, the paper presents ... -
Multimedia artists and fieldwork (1960-80s)
The coming together of human engineering, experimental psychology, ethnography, communication and learning theory in the work of two artists, the Chilean Juan Downey and the American Paul Ryan (196080s), serve as a departing ... -
Media Archaeology and Humanities Labs: Creative Knowledge and Practice-Based Theory
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ... -
Media and Computer Archaeology at Humboldt University
Media archaeology has not been confined to theoretical and archival excavations to old media and media art history. Increasingly we have witnessed the emergence of media archaeological labs where analysis of media objects ...