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ConferenceSubmissions.contributor.authorFernandez, Maria
ConferenceSubmissions.contributor.authorLacerte, Sylvie
ConferenceSubmissions.contributor.authorCollins Goodyear, Anne
ConferenceSubmissions.contributor.authorSeck Langill, Caroline
dc.date.accessioned2019-07-03T11:08:50Z
dc.date.available2019-07-03T11:08:50Z
dc.identifier.urihttp://95.216.75.113:8080/xmlui/handle/123456789/376
dc.descriptionThis video showing part 1 of the discussion after panel 7 was recorded at REFRESH! THE FIRST INTERNATIONAL CONFERENCE ON THE HISTORIES OF ART, SCIENCE AND TECHNOLOGY - September 28 - 0ct 1, as a peer-reviewed scholarly work chosen for inclusion.
dc.typeVideo
dc.titleMediaArtHistories: Times and Landscapes 2 (Q&A session)
dc.contributor.authorShanken, Edward
dc.contributor.authorRosen, Margit
dc.contributor.authorFritz, Darko
dc.contributor.authorGrant, Taylor
dc.contributor.authorGere, Charly
dc.description.abstractThe panel consisted of the following presentations: • ‘Towards a Comprehensive Technological History of Art’ by Edward Shanken; • ‘Early British Computer Art: the Findings of the CACHe Project’ by Charly Gere; • ‘How Anti-Computer Sentiment Shaped Early Computer Art’ by Taylor Grant; • ‘Between Form and Concept - The Positioning of Computer-Based Arts in the Late 1960s’ by Darko Fritz and Margit Rosen; • ‘Experiments in Art and Technology: a Gap to Fill in Art History’s Recent Chronicles’ by Sylvie Lacerte; • ‘Technophilia, Vietnam, and the Rise and Fall of 'Art and Technology' in the United States, 1965-1971’ by Anne Collins Goodyear; • ‘Hey, Look at Me! Thoughts on the Canonical Exclusion of Early Electronic Art’ by Caroline Seck Langill; • ‘Gordon Pask: Cybernetic Polymath’ by Maria Fernandez.


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