Browsing 7. Re:Trace 2017 by Title
Now showing items 109-128 of 136
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Tearing down the biometric cage: deconstructing biometric surveillance through art
This paper opens up for scrutiny the issue of transformation of strategies and practices of surveillance in the face of the widespread use of biometrics understood as bio-power technologies. Development of contemporary ... -
Technical phantasmagorias: the phantom-effect of moving images
It will be through its technical dimension that phantasmagoria will assume itself as a modern concept, (re)emerging at the beginning of the twentieth century, enunciated, for example by Walter Benjamin, as an altered ... -
Techno-Organic Practices in the Nordic Art
Title: Techno-Organic Practices in the Nordic Art. The paper presents recent artistic works from Nordic countries that exemplify a technology-infused mindset that is dominating our (humans) relationship towards ... -
Teresa Burga: a pioneer multimedia and information artist
This paper aims to analyze the work of Teresa Burga (Iquitos, Peru, 1935), as a multimedia artist whose conceptual pieces from the late 1960s and 1970s position her as a precursor of media art, information-based art, and ... -
The anarchive series as a challenge between art and information. Another approach of media art history today
Based on examples from the anarchive series of digital monographs with artists such as Muntadas, Snow, Kuntzel, Otth, Nakaya, Fujihata and Campus, this presentation will discuss the incidence of digital technologies on the ... -
The artistic contribution of the electrographic practices in the archaeology of electronic art
Nowadays that it is almost a fact that electronic art and, therefore, Media Art, was not born without inheritance, this research presents a return to the past through the Media Archaeology methodology and within Media Art ... -
The Crowdsourced Archive: Mobile Media, Photography, and the Local(ized) Frame
As mobile devices have proliferated, so too have the number of images that attempt to document a sense of place. These images are contributing to a growing visual database of how individuals see a region or a location. In ... -
The MONIAC and the Arts
In the relationship between early computers and the arts, there are eccentric examples that illuminate the intricate complexity of such interaction. A paradigmatic example is the MONIAC analog computer, since, on the one ... -
THE PHYSIOGNOMIC (UN)GENRE: Challenges of Automated Facial Expression Analysis-Based Media Art to both the Art and Science of Face
As 9/11, Facebook, and WikiLeaks level events forever change the media climate, the past-perfect promise of a newest harnessed methodology for face datafication and emotions computability inspires in the cultural imaginary ... -
The post-digital imagery as relational object
I would like to re-examine the category of representation for the post-digital imagery which is understood in terms of “the continuous actualization of networked data” or “networked terminal” [Marie, Hoelzl 2015: loc. 146, ... -
The Shape of the Moving Image
Driven by cognitive studies of visuo-auditory narrative media, our research focusses on developing methods for the machine coding of the shape of the moving image from the viewpoints of artificial intelligence, visuo-spatial ... -
The social impact of Media Art
Technological advancement has imposed a new deterministic vision in media studies. This vision is based on a linear idea of evolution: an interpretation of a Darwinian trajectory, revealed by the prominent use of the prefix ... -
The Social Lives Of Online Art
The pioneering artworks on the World Wide Web (created in the nineties) can now be approached with some historical distance. How are these artworks remembered over time? This research critically examines online artworks ... -
The Trace in Digital Interactive work. A rethinking between identification and “technique of the self”
Few thoughts on interactive action highlight the importance of the trace in the relationship which links us to our interactive digital environment. First, the question of trace will be rethink from the aspect of identification, ... -
The Vasulka Chamber and Media Art in Iceland
In October 2014 the Vasulka Chamber opened at the National Gallery of Iceland in Reykjavik. The “chamber” is founded on a donation from the video art pioneers, Steina and Woody Vasulka, both Icelandic citizens that have ... -
The World, Another 24 Hours: Practice-Based Research and the works of Robert Adrian X & Bill Bartlett
In 1982, Robert Adrian X, Bill Bartlett, and a host of artists staged a worldwide telecommunications performance entitled “The World in 24 Hours” «Die Welt in 24 Stunden». In it,16 different timezones connected to the Ars ... -
Theorizing Instagram: Ontology, Epistemology, and Aesthetics
There exists a copious literature on social media, including visual-driven ones like Instagram. Researchers, however, only use Instagram as a database to retrieve visual or cultural data to study their subjects of interest. ... -
Toward Greenness Studies: Materials – Metaphors – Media – Misunderstandings
This paper demonstrates the urgent need for interdisciplinary greenness studies that engage philosophy, art, art history, science and technology studies, the natural and the medical sciences, in order to fruitfully critique ... -
Towards an alternative history of Sound Art and Electronic Music: Carmen Barradas and Jaqueline Nova (1888-1975).
This paper addresses a critical gap in the global histories of media arts by investigating the life and work of two Latin American female composers whose career paths traversed well known global networks of music and ...