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The artistic contribution of the electrographic practices in the archaeology of electronic art
Nowadays that it is almost a fact that electronic art and, therefore, Media Art, was not born without inheritance, this research presents a return to the past through the Media Archaeology methodology and within Media Art ...
Glitching the Museum: Disruptive Media Art in a Permanent Collection
In late 2016, Stedelijk Museum in Amsterdam acquired seventeen works by leading artists working with digital technologies and cultures. Selected for inclusion into the permanent collection were for instance works by glitch ...
How do digital technologies affect the aesthetics of Japanese calligraphy art and culture?
In the recent decades, artists and researchers have shown an
increased interest in applying new technologies to traditional arts in
Japan, especially in the field of calligraphy art, painting, and the Zen
culture. In one ...
Media Art and Politics: The Question of Tomorrow
The author addresses the relevance of the question of tomorrow for the new media art and reconsiders similar functions of art and visualizations from the past cultures – anticipation, vision and the claim for a change. The ...
Interactive multimedia creations at the International Museum of Electrographic Artworks in Cuenca (Spain), 1994 – 2006. Pioneer productions for the construction of hypermedia narratives
The purpose of this paper is to provide a theoretical and critical review of some of the pioneering productions of interactive multimedia that were created at the MIDECIANT´s laboratories of the University of Castilla-La ...
Archive Agencies. Tracing the Implied Producers of Media Art Collections
The relation between archives and history is, at best, a precarious one. It is often assumed that everything we need to remember or know is to be found in archives. And the way archives have been and are being used to write ...
Understanding Media Art as Cybernetic-Existentialism
This audio-visual paper offers a Re-Trace and reboot of two disciplinary fields that some consider outdated and defunct, by proposing a bold aesthetic theory of Cybernetic-Existentialism. It argues that throughout the ...
Postdigital Pasts
As David Berry and Michael Dieter (2012) have described, postdigital refers not to life-after-digital but rather the ways in which computation has become ‘experiential, spatial and materialized; embedded and embodied’, ...
A scholar's crux: Methods of documentation through the lens of archive theory
Since the Archive of Digital Art (ADA) was founded in 1999, several methods of documentation were developed on this database for the conservation and presentation of media art. This research on archival strategies was ...
The social impact of Media Art
Technological advancement has imposed a new deterministic vision in media studies. This vision is based on a linear idea of evolution: an interpretation of a Darwinian trajectory, revealed by the prominent use of the prefix ...