Donau Universitaet: Recent submissions
Now showing items 201-220 of 438
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After Brunelleschi, after Alberti…
(2004) -
A History of Art in a Science Museum
When the Exploratorium opened in 1969, its founder Frank Oppenheimer challenged the worlds of formal and informal education with a new kind of public learning center. Knowing the power of personal discovery - individual ... -
Telephagy, Schizolanguages and Libidoeconomy: metaphors that agglutinate the teleperformances of Perforum Desterro.
Telephagy as a metaphor is the adventure of recognizing oneself as someone who appropriates the other’s model and puts it as a dysfunction. It updates anthropophagy as the esthetics of regression in a period characterized ... -
Telefagia, Esquizolinguagens e Libidoeconomia: as metáforas aglutinantes das teleperformances do Perforum Desterro
(ANPAP, 2007)Telephagy as a metaphor is the adventure of recognizing oneself as someone who appropriates the other’s model and puts it as a dysfunction. It updates anthropophagy as the esthetics of regression in a period characterized ... -
Skipping stages. From constructivism in architecture and in poetry to the digital media: searching for parameters to understand the emerging media and the formation of a specialized audience in Brazil
Skipping stages searches for parameters that clarify the current production in art and technology and the formation of a specific audience in Brazil. Parameters that can be found in the parallelism between the social-economic ... -
Immersion as “Social Machine”- analysing the coupling Human-Machine in the industry of entertainment
(International Society for Presence Research, ISPR, http://www.temple.edu/ispr/ICA2003/Araujo.htm; ICA, www.icahdq.org, 2003-05-23)“Social Machine” is a term that appears in Deleuze and Guattari, Anti-Oedipus, capitalismus and schizophrenia, and in John Canny and Eric Paulos, Tele-embodiment and shattered presence: reconstructing the body for online ... -
Informational space and its architectural interpretation
Contemporary informational and mobile technology allows transmitting vast amounts of data unprecedented until now. This data, information, and technology not only increases connectivity between place and space, but also ... -
Topology the historiography of interactivity: Lygia Clark’s and Gabriel Orozco’s ‘endless sculptures’
The historiographic consequences of Lygia Clark's work in relation of the concept of interactivity is re-examined through a novel classification taking into account the notion of a 'topological' sculpture. -
Telephagy, Schizolanguages and Libidoeconomy: metaphors that agglutinate the teleperformances of Perforum Desterro.
Telephagy as a metaphor is the adventure of recognizing oneself as someone who appropriates the other’s model and puts it as a dysfunction. It updates anthropophagy as the esthetics of regression in a period characterized ... -
Telefagia, Esquizolinguagens e Libidoeconomia: as metáforas aglutinantes das teleperformances do Perforum Desterro
(ANPAP, 2007)Telephagy as a metaphor is the adventure of recognizing oneself as someone who appropriates the other’s model and puts it as a dysfunction. It updates anthropophagy as the esthetics of regression in a period characterized ... -
Skipping stages. From constructivism in architecture and in poetry to the digital media: searching for parameters to understand the emerging media and the formation of a specialized audience in Brazil
Skipping stages searches for parameters that clarify the current production in art and technology and the formation of a specific audience in Brazil. Parameters that can be found in the parallelism between the social-economic ... -
Revolution of the Ear?
(Verlag der Buchhandlung Walther König, 2005)How do acoustic dealings with machines change people’s conception of themselves? This essay presents the context of the media shift from image to sound using as an example the poetic theory of Charles Olson and relates ... -
New media art in Lithuania
(Culture, Philosophy and Arts Research Institute, 2007)This article strives to illustrate the main trends of Lithuanian digital art, to name the relevant artists and activists, and to distinguish applicable creative strategies as well as the most significant features of the ... -
Nation as a Mode of Consumption
(Scottish Church College, Kolkata, 2006-09)Modernity is manifested and perceived in various ways, though contested in their meanings, in everyday life. Expansion of consumer culture is integral to the process of modernity in a typically defined location in the ... -
Les structures de communication de l'Eglise Evangélique Luthérienne du Cameroun et leur impact socioculturelle dans l'Adamaoua (1960-2003)
This piece of work deals with the structures of communication of the Evangelical Lutheran Church in Cameroon (ELCC) during the years 1960 and 2003. Our topic is mainly based on the house of production Sawtu Linjiila, the ... -
The Inverted Eye: A Transdisciplinary Gaze into the Dysfunctional Mind
Rene Descartes, when writing on optics and consciousness, (La Dioptrique 1637) instructed the reader to take a dead eye from a recently deceased body and use the eye as the lens for a camera obscura. In his misguided search ... -
Intermedial Theatre: ± Technology
(University of Toronto Press, 2007)Reflections on the origin of theatre as a technological art form and the possibility of rethinking theatre through the paradigms of media and materialities. -
Immersion as “Social Machine”- analysing the coupling Human-Machine in the industry of entertainment
(International Society for Presence Research, ISPR, http://www.temple.edu/ispr/ICA2003/Araujo.htm; ICA, www.icahdq.org, 2003-05-23)“Social Machine” is a term that appears in Deleuze and Guattari, Anti-Oedipus, capitalismus and schizophrenia, and in John Canny and Eric Paulos, Tele-embodiment and shattered presence: reconstructing the body for online ...