dc.date.accessioned | 2019-06-18T14:08:49Z | |
dc.date.available | 2019-06-18T14:08:49Z | |
dc.identifier.citation | Beloff, L. (2018). Intertwining of the digital and the biological in the artistic practice. In Digital Dynamics, ed. Tanya Toft. Intellect Books. Forthcoming 2018… | |
dc.identifier.uri | http://95.216.75.113:8080/xmlui/handle/123456789/187 | |
dc.description | This article is forthcoming in 2018: Beloff, L. (2018). Intertwining of the digital and the biological in the artistic practice. In
Digital Dynamics, ed. Tanya Toft. Intellect Books. Forthcoming 2018… | |
dc.publisher | Forthcoming 2018 | |
dc.type | Book chapter | |
dc.title | Intertwining of the digital and the biological in the artistic practice | |
dc.contributor.author | Beloff, Laura | |
dc.description.abstract | In the recent two decades, we have witnessed a gradual shift observable in the
works of artists working with technology. This shift can be characterized as
moving from the digital and virtual realm towards the physical world, and more
recently in terms of an inclusion of the biological realm into experiments and
artworks that address a wide range of technological developments and their
impact on society. Many of the artists working in this field – that is widely titled
as art & science – have a background in digital arts. This article traces specifically
the emerging inclusion of the biological realm into the technology-based arts as a
trajectory towards which the field of digital art appears to be developing. | |
dc.subject | art | |
dc.subject | biology | |
dc.subject | technology | |
dc.subject | nordic | |
dc.subject | techno-organic | |
dc.date.issued | 2018 | |