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dc.date.accessioned2019-05-28T13:32:09Z
dc.date.available2019-05-28T13:32:09Z
dc.identifier.urihttp://95.216.75.113:8080/xmlui/handle/123456789/31
dc.descriptionMartin Kemp is Emeritus Research Professor in the History of Art at Oxford University. He has written and broadcast extensively on imagery in art and science from the Renaissance to the present day. He speaks on issues of visualisation and lateral thinking to a wide range of audiences. Leonardo da Vinci has been the subject of books written by him, including Leonardo (Oxford University Press 2004). He has published on imagery in the sciences of anatomy, natural history and optics, including The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat (Yale University Press). He was trained in Natural Sciences and Art History at Cambridge University and the Courtauld Institute of Art, University of London. He was British Academy Wolfson Research Professor (1993-98). For more than 25 years he was based in Scotland (University of Glasgow and University of St Andrews). He has held visiting posts in Princeton, New York, North Carolina, Los Angeles and Montreal. He has curated a series of exhibitions on Leonardo and other themes, including Spectacular Bodies at the Hayward Gallery in London,Leonardo da Vinci: Experience, Experiment, Design at the Victoria and Albert Museum in 2006 and Seduced: Sex and Art from Antiquity to Now, Barbican Art Gallery, London, 2007. He was also guest curator for Circa 1492 at the National Gallery of Art in Washington in 1992.
dc.language.isoen
dc.typePresentation
dc.titleComputerising Leonardo: a visual dialogue from 1988 to now
dc.contributor.authorKemp, Martin
dc.description.abstractI will begin with an excursus of computer vision techniques for exploring space in Renaissance paintings. I will then be looking at successive attempts in exhibitions and at one CD-ROM to use the dynamics of computer graphics to realise Leonardo’s underlying ideas and explore how his drawings may be set in motion as a form of public understanding. This is a visual exploration rather than one involving data-bases etc. and is in various ways rather different from most of the media art histories.
dc.subjectart history
dc.subjectvisualisation
dc.subjectcomputer vision techniques
dc.subjectRenaissance painting


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