Re:Trace Conference - Keynotes, Papers & Posters: Recent submissions
Now showing items 81-100 of 130
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From the series Live Architectures: “Dimensioning”
From the series Live Architectures: “Dimensioning”, Augmented Reality – for Media Art History - interactive poster composed by diverse AR stickers overlaid by several 3D-movies, 2015. Dimensioning" is an Augmented Reality ... -
From the Digital to the Post-Digital – the Photographic Image
Digital technologies have transformed the photographic medium from being representational to performative. In this way, they introduced a new kind of affinity between the visual image and the world. This paper will suggest ... -
From Soft Sculpture to Soft Robotics: Retracing a Physical Aesthetics of Bio-Morphic Softness
Soft robotics has in the past decade emerged as a growing subfield of technical robotics research, distinguishable by its bio-inspired design strategies, interest in morphological computation, and interdisciplinary combination ... -
From Net Art to Post-Internet Art: The Cyclical Nature of Art Movements
It makes sense to look back at the experience of net art in the 1990s. This was an era of innocence, eagerness and heroes of a kind, when net art works as art were brand new. In the 1990s, art had to be brought to the ... -
FROM BITS TO PAPER: A short history of the aesthetics of rematerialization
This article is inspired by From bits to Paper, a group exhibition I have curated at Le Shadok, a center for arts and digital creation in Strasbourg, from the 8th Mars to the 5th June 2016. The exhibition addressed the ... -
Fields - Manifesting the Transformative Potential of Arts in the Age of Post-Media
Accordingly to several voices, we have entered the post-media age (Krauss 1999, Guattari 1996, Manovich 2000, Weibel 2005, Quaranta 2010). Today, there is no anymore single media dominating in contemporary digital art ... -
Fictitious Future Pasts? Artists reflecting the transhistorical entanglements of telecommunication infrastructures, (post-)colonial trading, and geopolitics
This paper discusses the installation Malleable Regress (Arctic) by Dutch artists Femke Herregraven. It argues that, in appropriating objects once serving a now outdated technology to imagine fictitious future technological ... -
An Example of Conscientious Handling of Time-Based Media Artwork
For the past 35 years, the Kunstsammlung des Landes Niederösterreich has been acquiring media art in various formats, such as video sculptures, installations and film. The result of these 35 years of acquisition is a ... -
Ethico-onto-epistemologies of Media Art: A case study of the “Protocol for Interdisciplinary Research” project
As all steps of Art’s value chain get transformed by the ever-challenging practices of Media Arts and other forms as Art and Science intersections, and while agents and Institutions are adapting to the on-going transformation ... -
Electronic Oscillography in Early 1950s Experimental Film
The proposed paper focuses on the historical genealogies of contemporary electronic imaging, particularly on the appropriated use of a specific electro-engineering technique within early 1950s experimental film making. ... -
Electronic Disturbance Theater, Floating Point Unit, Fakeshop
This paper looks at several collectives of artists and hacktivists who, during the early 1990’s in New York City, used new media and web-based technologies to built strategies of critique and resistance to the digital ... -
Ecological intimacy and unmanned photography: drones, GoPros, and satellites
2017 marks the 50th anniversary of the first complete colour photograph of the Earth. The American ATS-III weather satellite was tasked with transmitting images for weather forecasters to look for extreme events and learn ... -
Digital Kinesthesia: Kinesthetic modes of media aesthetics in digital art
By the example of 15 interactive, responsive, immersive, augmented, and dynamic digital art installations which have been produced in the course of the transdisciplinary, arts-based research project „Digital Synesthesia“ ... -
Digital Art in Latin America
The emergence of new Media Art in Latin America is an extraordinary heritage but it has been under-represented in the art historical discourse. Pioneer Latin-American artists have neither been recognized nor absorbed in ... -
Digging the (new) media art scene of İstanbul: Towards Media Art Historical Re-discovery
This study is an attempt to excavate and analyze (new) media art scene of İstanbul in order to explore the particularities in the field and local histories of media art. There is still ambiguity about what (new) media art ... -
Design of Narrative Book Collection: Redesigning Pre-Modern Japanese Books in the Digital Age
This paper introduces Narrative Book Collection—a unique model of digital exhibition for pre-modern Japanese books that explores computational and visualization approaches to create a new book reading experience in the ... -
Datafying Media Art. Assessing Digital Methods for Media Art Research
Where the initial wave of Digital Humanities (DH) concentrated mainly on textual analysis, the contemporary DH witnessed a visual turn. This resulted not only in establishing visuals as subject of digital analysis but also ... -
DARIAH Connectivity Roundtable. Six Decades of Digital Arts and Museums: A New Infrastructure - Transcript
The panelists celebrated and discussed six decades of the digital arts and museums, and talked about what new infrastructures might be possible. The panel was then opened to audience questions and comments. -
CyberSyn and the symbolic (processing) memory of paper
Chile’s CyberSyn project —the cybernetic network aiming to monitor the economy, built in the early 1970s during the government of president Salvador Allende under the scientific direction of the British cybernetician, ... -
CyberSM, cybersex and 25 years of VR
2018 will mark the 25th anniversary of cyberSM, a series of media arts projects incorrectly heralded as the first fully-functional cyber-sex systems. These projects made frequent appearances in newspapers, magazines and ...